Research On Lv Shengzhong's Paper Cutting Art

Lv Shengzhong is a famous modern paper-cut artist,is also on the China experts of traditional folk art,his artistic roots deep into the local culture and folk art,keep a clear mind and independent judgment in Western art concept under the impact of language expression,is dedicated to the idea of using the traditional folk art language since 1980 s.He became the experimental artist to develop domestic avant-garde art,at the same time in the international prestige.Lv Shengzhong's art of paper cutting across three stages.The first stage from 1984 to 1985 three,Lv Shengzhong depth Shaanxi rural folk songs,folk paper-cut artist with an open mind to ask for advice,and study the China traditional folk culture.At that time Lv Shengzhong cut a lot of Zhuaji moppet,the rural woman modeling language,and reflect their own thoughts on art,can be called "the original ecological folk paper-cut";the second stage is after his return to Beijing,the creation of some of the larger format using other elements of folk paper cutting,paper cutting,and into the modern consciousness and philosophy,with strong characteristics of symbolism,develop a school of modern paper-cut,can be called "new symbolism" paper-cut;the third stage is after 1988,Lv Shengzhong in the "little red paper-cut for the modeling element,conversion of artistic expression,creating a lot of experimental art works,to convey the original ecological folk the theme of art to the modern concept of art diversified expression: life and death,joy and sorrow,eternal and illusion......Lv Shengzhong's artistic achievement has made a great contribution to the localization of the concept art and the internationalization of Chinese art.He has given us a lot of inspiration and Reflection Based on the artistic creation of folk paper cutting.So far,domestic and foreign scholars have not yet made a comprehensive and in-depth study of Lv Shengzhong's paper cutting art.Domestic art criticism and academic papers are just one of his exhibition of its artistic connotation,or in some of his works as an example,analysis of the traditional art to the modern transformation of the way;many Zhuaji moppet and he in the Northern Shaanxi folk songs during the cutting,the self contained in the "little red story",but no mention.Foreign scholars due to cultural differences are too large,there is no special research on Lv Shengzhong,this is still a blank.Throughout the decades of Lv Shengzhong's paper-cut art,according to the nature of the works are divided into three stages,in order to reveal the aesthetic value of the paper-cut art and the cultural connotation of the work,is the innovation of this study.This thesis consists of five chapters.The first chapter is the introduction,second,the three or four chapter discusses the three stages of Lv Shengzhong's paper-cut art,three aspects of each stage and from the artistic exploration background,creative ideas and experiences,the main works and interpretation are discussed.The fifth chapter discusses the process of paper-cut art Lv Shengzhong gives us inspiration and Reflection: on the one hand,the development and innovation of arts should be rooted in the deep soil of traditional culture;on the other hand,folk art in modern society should seek diversified expression.