"Said By Others" And "Self-ask"-Looking The Change Of New Chinese Contemporary Farmers' Social Status By The Peasant Theme Works Of Art

Since the founding of new China,the image of peasants in Chinese painting art has a more systematic form,the scholars and artists of ancient and modern Chinese and foreign have systematically studied the image of Chinese peasants through the perspectives of sociology,the evolution of images and the analysis of ideology.Through these unique methods and perspectives,the peasants' images are summarized and analyzed in a multilayered way,so that people have a deep understanding of the image of Chinese farmers.Its provide a rich theoretical basis for the writing of this paper because of the previous study,which makes the analysis of the changing in the social status of Chinese farmers probably.Based on the theory of Graphics,along the "Mao Zedong era art" to the 21 st century Art,we look at the paintings of the Chinese farmers in various types of paintings,this paper analyzes the social background of the peasants' image in each era and sums up the real existence of the peasant social status in each era,and finally sums up the trajectory of the social status of Chinese peasants.Based on the image of peasants in different periods and different historical contexts,there are different ways of expression,whether the image of the peasant is an autonomous state of domination or the object of merit.How does the image of the peasantry evolve from the perspective of "said by others" and "self-ask ",which requires us to make a deep analysis of the relationship between the representation of the peasantry and the social roots in this particular time and space to understand the peasant's image.At the same time,the relationship between the change of the image of the peasantry and the establishment of the national image is also the objective existence that we need to take into account,and establish the connection between the two sides in the subjective ideology,so that the unity between the two states can better co-cast the great Chinese today and the image of a strong peasant.During the period of reform and opening,humanitarianism influenced Chinese art creation,and the image of peasantry also changed greatly.Under this change,the consciousness of peasants' subject gradually increased.This paper analyzes the peasants' image by analyzing the peasants' image,analyzes the real environment of the farmers in each period,and rises the logical starting point to the evolution of the peasant masses' subject consciousness,and through the change of the subjective consciousness to analyze the change of the status of the peasants,the status of this farmer includes the peasant's psychological self-positioning and objective social status.This article is divided into seven parts:The part of introduction comprehensively expounds the purpose and significance of the topic selection.Through the reading and summarization of the literature,the author summarizes and analyzes the present situation of the research at home and abroad,and the research method of this article is expounded through the study of art methodology.In the first chapter,the author summarizes the concept and scope of the peasants 'subject painting,and analyzes the development and evolution of the modern Chinese peasant painting and the characteristics of the painting of the peasants' image,and explains the two research points of this paper "Said by others " and " self-ask ".The description of "said by others" is a depiction what portrays the image of the peasantry as an object by artist.But this description is not entirely in line with social reality,it is just a description of the political color under the majesty of a political discourse.The creation of the main body of the image of the farmers reflected in the picture under the conception of "The idea of the first",which to read out the marginalization reality of a peasant image subject consciousness." Self-ask " is a manifestation of the peasants 'main consciousness in the new period.Farmers began to seriously think,and the artist also painted on the image of the farmers to reflect on the beginning of their own real feelings to the value and significance.In the second chapter,the paper analyzes the representative works of the peasants in the period of Mao Zedong's art between the year of 1942 to 1976,we summarize the specific image of peasants in the painting of peasants in various periods,and analyzes the real social status of farmers from the combination of real life and political life.Although the peasants of this period had an important place in the history of Chinese revolution,they still exist in the works as an object in real life,although they seem to be masters,but they lack the most essential subject consciousness being the master.In the third chapter,through the summary of the image of the peasants in the "Mao Zedong era art",coming into a new era,the transition between this becomes the main research object in this chapter.In this chapter,we analyze the change of the artist from the objective to the subjective creation and the change of the peasant's image from the master to the spectator.Finally,we provide a theoretical support for the analysis of that the subjective consciousness of the peasants provides.In the fourth chapter,the artists transfer the center of creation to the restoration of peasant nature.They are concerned about the real life of farmers,reflecting the suffering of farmers,so that the creation onto a humanitarian road.In the context of the global art,the expression of the works of the peasants' subject matter is increased,and the service is no longer fully serviced,but the artist's freedom of creation is captured,its further release the real and vivid image of the peasantry.The confused consciousness of the peasants is gradually restored through the image of the peasants in the new era and the description of the special groups of migrant workers.In the economic tide of the lost image of the farmer's social status back to the trough,the social status of farmers became more attention,but the peasants' subject consciousness rose during this period,they began to think about their own life and the meaning of their own existence truly.After entering the 21 st century,farmers were alienated by the city in the process of rapid economic development,from the "hero" reduced to "spectators",where the farmer should go.The change of the artist's painting creation technique and the change of the angle of the painting are also the same as the springs of the peasants,this brings a new era of peasants.In the fifth chapter,this chapter focuses on the specific performance of farmers alienated by the city,the artist displays this alienation on the screen and strikes the audience.Farmers are constantly pursuing assimilation after being alienated by the city,and they sublimate themselves continually.From seeking social identity gradually to seek their own identity and then continue to affirm themselves.They gradually formed a strong sense of the main body,but also gradually shaking the status quo of low status.The conclusion part,we co-ordinate the full text,we sum up the changing of farmer imaging and status.We lead to the main sense of the image of Chinese farmers passing between the two kinds of views.I look at the whole of China's modern art,we analyze the image of the peasants in the peasants' subject matter painting through the addition of fresh elements.Finally,the article returns to the subject and analyzes the changes of the social status of Chinese peasants.