The Study Of The Documentary Reliability Upon The Perspective Of The Transtextual Relations Theory

The coming era of new media makes a revolutionary change to the documentary’s way of creation and acception.On one hand,the emergence of new media,which includes digital virtual reality technique,AR technology and so on,makes the documentary richer in artistic technique of expression and more diverse in Genre.Those unerh documentary types,such as Animation Docs and Interactive Documentary,have gradually reached much of an audience.On the other hand,with the explosion of removable media,video sites,social media and other digital Communication Platform,the audience has been pushed to the center of visual arts.And actually,the audience-oriented Film and Television creation has been formed.Faced with all this,the theory of documentary,however,seemingly does not keep pace with the times.Some basic theoretical issues are still preventing documentary from developing futher.So,This paper choose the reliability of the documentary for research to re-examine the documentary frame structure based on this background.The paper based on Gerard Genette’s transtextuality theory,respectively focus on the paratextuality,the metatextuality,the architextuality,the intertextuality,the hypertextuality,and combining with Jauss’ s Reception Theory,Foucault’s discourse theory,Habermas’ theory of communicative action and etc,examines those five types of transtexts how to deconstruct the documentary’s subject position,and how to reconstruct the reliability of the documentary depended on the relationship between different types of transtexts.