A Study Of Liu Qingyun's Dramatic Art

It is not difficult to find out that Liu Qingyun plays an important role in the female opera of the Ming and Qing dynasties,and her dramatic works can not be ignored.But in a long period of history,Liu Qingyun's opera in the state of being buried,and even so far there are several opera no one punctuation.For Liu Qingyun's related research,twenty or thirty years only sporadic research,since the eighties from the research gradually increased.From the point of view of the research results,the periodical literature,the majority of the works in the chapter discussion,case study monograph has not yet appeared.The related research is almost always focused on her life,Summary of the contents of the opera,the creative sources and comments and so on,in the drama art features are rarely involved.Liu Qingyun's opera is rich and diverse.In view of the current situation of Liu Qingyun's research,the author based on the previous research,based on the literature,Liu Qingyun's existing opera as the research object,from the pomp,role color,language,stage art and so on several aspects,hoping to spy,showing Liu Qingyun opera art features.Chapter ?:The arrangement of Liu Qingyun's opera.The arrangement of Liu Qingyun's opera are mainly reflected in the scene layout,matching two aspects.The first is the scene of the drama play,mainly through the ten dreams of the opera to achieve.Secondly,the use of flashback narrative structure and narrative narrative structure to adjust the narrative rhythm,to the reader to bring a variety of aesthetic feelings.Chapter ?:The role of setting of Liu Qingyun's opera.In the role of setting,Liu Qingyun's opera has two significant features.First,the role of setting the case,there has been a role to set the pursuit of a single appearance and breakthroughs in the traditional two tendencies.Second,the "ugly" role of the flexible use."Ugly" role set up in particular can highlight Liu Qingyun's design of her opera is carefully compiled.Chapter ?:The Linguistic Features of Liu Qingyun's.This chapter mainly discusses from two aspects.First,Liu Qingyun's opera use a lot of Jianghuai dialect,with a distinctive local color.Second,the increase in the white component of the white,highlighting the white narrative function,at the same time that there are excited words,enrich the effect of Opera of emotion.Chapter ?:Liu Qingyun's stage art.This chapter focuses on the costumes,props for some systematic discussion.In the costumes,its connotation is very rich,specifically for the program and identification,richness and individuality.Liu Qingyun's opera in a wide range of props,also very characteristic,mainly reflected in the story before and after the plot,close up and down the plot,indicating the identity of the characters,to show personality differences in two aspects.Thus,Liu Qingyun on the pomp,role color,language,stage art and other aspects of great importance.