The Inheritance And Evolution Of The Mi Style Landscape Painting In The Development Of Chinese Literati Paintings

Mi Style landscape painting is critical in the development of Chinese literati paintings.It is a departure from the loyal academic painting."The meaning is the purpose" and "the brush is beyond anything" aesthetic thinking has a profound impact in brush-and-ink technique,artistic characteristics,philosophical thinking on the literati painters.The thesis is divided into three sections,the first section is about the formation,reasons of formation and brush-and-ink language of Mi style landscape painting.The second section is the core part of the thesis,starting from the stages of the development of the Mi Style landscape painting and its function and value for the development of the literati painting at that time to clarify the relationship between the literati paintings and the Mi Style landscape painting,to the analysis and demonstration of its contemporaries and continuous effect.The Inheritance and Evolution of the Mi Style Landscape Painting from Gao Kegong,Chenchun,and Bada Shanren were more in the technique aspect,while Fan Congyi took the Mi Style "ink play" painting concept and the path of "Ease Character" with Taoism influence.With the influence of Mi style aesthetics and comments in painting history,Dong Qichang created the theory of the Southern and Northern schools of Paintings,and it has influenced the painting circles for three hundred years.Finally,it is concluded that the inheritance and evolution of Mi Style landscape painting in Chinese literati paintings are diverse,and there is inheritance of technology and Tao.As for the historical value of the Mi Style landscape painting,it is the originality value of the artistic expression style as well as the creativity value of the artistic aesthetic concept,harmony in diversity.