| Mao Yan is a famous painter and contemporary artist,his works often appear in many contemporary art exhibitions with academic value,almost everyone knows about him in the circle.And he was living in Nanjing which is a relatively secluded area,rather than in the contemporary art center.Mao Yan was not affected by popular art,he has his own clinging to painting,still adhere to his own ethical beliefs and painting about painting,portrait painting is the subject of his paintings,he tried best to integrate portrait and his own personal experience.Put aside the traditional and traditional narrative pattern of realistic portrait,get rid of the realistic portrait of pure appearance,Mao Yan’s portrait presented a kind of spiritual resonance to the public which seems come from the soul.This is the characteristic of Mao Yan’s painting,and the reason of being known as "reason spirit portrait".The concept of the portrait of Mao Yan has been leery of the attention,the author has a very keen sensibility,so it has very strong skill tendency on his works,which is a superhuman talent to make very vivid and appealing portrait.The portraits of Mao Yan nearly perfect,he exposed the characters spiritual world,using classical methods to show the painting in really detail with the realm of harmony.Within language of classical painting,the most representative is Thomas portrait series has been reborn by Mao Yan.The author tries to present the spirit of sensitive and fragile that has been forgotten by the world,there are many sharp,and also has a classical painting spirit,the spirit that makes the author created the ancient meaning of the art of painting ".This paper is based on a series of portraits of Thomas Mao Yan works,through the elaboration of the artistic experience,Mao Yan analysed the artistic concept and expression characteristics of the works in the spirit of the character,and to explore the contemporary transformation of traditional art in Mao Yan language in exploration and efforts. |
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