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The Study Of Relationship Between Wenxuan And Poetics Of Zhongzhou Area In The Period Of Hongzhi Through Jiajing In Ming Dynasty

Posted on:2018-01-22Degree:MasterType:Thesis
Country:ChinaCandidate:L WangFull Text:PDF
GTID:2335330515464566Subject:Ancient Chinese literature
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The perspective of the poetics in the early Ming Dynasty gives priority to the theory and fame.They promotes the elegant and straight style in Han and Wei Dynasty and refuses the flashy styles in Six Dynasty.In the period of Hongzhi through Jiajing,the literature renaissance led by the Seven-Scholar School tried to guide the poetry process in Ming Dynasty from the perspective of the literary standard.Thus,the rise of the literature renaissance paved way for Wenxuan.The creation concept to promote grace and abolish decadence of Wenxuan became the poetic basis for the classicist school together with its archaic style.At the same time,literati of Zhongzhou area grasp the opportunity when Li Mengyang and He Jingming rose from the poetry in Ming Dynasty and found their own foothold.They swept away the dull picture since the Northern Song Dynasty by this literature renaissance in the middle of the Ming Dynasty and jump out of the regional barriers,forming the poetics of Zhongzhou area.In the context of retro poetry,Wenxuan and poetics of Zhongzhou area have a benign interaction in the literary level and to some extent affect the Ming Dynasty poetry and direction of study on Wenxuan.Wenxuan and poetics of Zhongzhou area in the period of Hongzhi through Jiajing in Ming Dynasty are the products of the two periods in the development of Chinese literature history.The research and study on their interactive lines should be based on the study of the trajectories of Han,Wei and Six Dynasties and the Ming dynasty.At the same time,the study on literary care from the regional perspective has decided to take Zhongzhou area as the characteristic literature soil.Combined with the acceptance of Wenxuan in this area,this article hopes to explore the poetic effect of Wenxuan and geographical intersection.This paper mainly includes the introduction,four chapters and the cinclusion these three parts.The introduction introduced the research origin,research status,research methods and significance of this topic,and define the meaning of “the period of Hongzhi though Jiajing” and “Poetics”.The first chapter starts from the tradition of the origin of the regional literature and links the natural phenomena of Zhongzhou area,the humanistic endowment and the ecological background,combines the micro regional writers' works and the macroscopic literary atmosphere to draw the context and trend in the political and cultural level.And then it analyzes the formation and connotation of literati group of Zhongzhou area in the period of Hongzhi through Jiajing from the perspectives of leaders and members,political encounter and scholar mentality,literary origin and concept etc..The second chapter analyzes the situation of Wenxuan in the early and middle period of Ming Dynasty,and the context of literary anthology before Jiajing and the temporal and spatial association between Wenxuan and poetics of Zhongzhou area in the period of Hongzhi through Jiajing.From them it concludes that its range turns from academic aspects to the aesthetic interpretation and practice.The Confucian poetry education consciousness that peotry should have emotion on behalf of the Wenxuan,the elegant classical poetry standards and the literary development laws that it inherits and develops the ancestor's career and changes with time provide theoretical criticism mode for the retro people's poetic view to prefer Han Wei style and also not abolish Six Dynasty style.The third chapter analyzes medieval poetics concept of Li Mengyang,He Jingming,Gao Shusi and Li Lian combined with the poetic connotation of Wenxuan.In general,the acceptance of the Wenxuan by leterati of Zhongzhou area in the period of Hongzhi through Jiajing has related to the cultural atmosphere in Zhongzhou area.They agree with the orthodox Confucianism and poetics expressing their emotions and ambitions in Han and Wei poems.Also,they tried to accept the Six Dynasties poetry in the inclusive and simple yet true traditions.The fourth chapter mainly discusses the influence of the poems of the late Ming Dynasty and the "literary selection".leterati of Zhongzhou area in the period of Hongzhi through jiajing to Wenxuan as the primary object of the object to return to the ancient poetics,is the beginning of the Ming Dynasty on the Han Dynasty and the Six Dynasties literature obscure acceptance of the seven sub-factions “archaism looks like Han and Wei” and other specific ideas an important driving force.At the same time,it also has certain influence on the development of the poetics after Jiajing,and the enrichment of the poetic connotation of the study on Wenxuan to some extent also contributes to the richness of the research form and works.
Keywords/Search Tags:Ming Dynasty, Zhongzhou area, poetics, Wenxuan, study on Wenxuan
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