The Exploration Of Zen In Kim Ki-duk’s Films

In recent years of rapid development in the Korean movie,contemporary director Kim ki-duk is clearly a around the name.As a pioneer of South Korea’s art film,Kim ki-duk once known by local media as the director in the 21 st century the most leadership potential.Kim ki-duk,meanwhile,is the world’s film industry,he works in the foreign film festival award-winning frequently,which made him a fans at home and abroad are favorite author type one of the directors.Through the work of Kim ki-duk film,always can connect to the alienation reality and people don’t grasp the fate of fatalism.His films convey about the desire of evil,in the world of mortals of sentient beings of pain and loneliness,bound and resistance,and the salvation of life always straight insert the soft heart of viewer,let a person is unable to avoid.These with the theme of the humanistic content with zen aesthetics consciousness of ultimate concern and compassion.Kim ki-duk always like a dervish film in its own way,he spoke in images,like a prophet calmly analyze was besieged by reality and cannot be saved,and convey the theme of religious salvation.At the same time,Kim ki-duk film in form with a strong aesthetic feeling,he will pass the eastern traditional aesthetic implication extremely audio-visual language,rich buddhist metaphor of narrative symbols to build your own image world,profoundly reflects his life,the depth of the perspective of human nature and the human heart,sending out the strong zen meaning.This article is divided into introduction,text and epilogue three parts.The author will combine Kim ki-duk film to do concrete analysis,argument for the center with Kim ki-duk film of zen,Kim ki-duk film from the technique of expression,cultural connotation and cultural background,director of the Kim ki-duk man aspects of a solid and comprehensive research.The introduction is divided into four aspects,mainly introduces the selected topic reason,the topic of my value,research status at home and abroad and the research methods of this article.The text from three parts.The first chapter mainly appreciation director Kim ki-duk film language of individuation,from three aspects of composition,tone,voice director Kim ki-duk is how to construct through creating a audio-visual orientalize freehand brushwork in traditional Chinese zen realm in his films.Zen in the second chapter mainly analyzes director Kim ki-duk film image,from the people,animals or inanimate image these three aspects,through the analysis of the symbolic image of these metaphorical meaning,to the zen carrier of director Kim ki-duk film are discussed.In the third chapter mainly discusses the director Kim ki-duk film zen value pursuit,and this is his humanistic connotation of zen in the movie.From compassion for humanity concern,the deep historical reflection and rational thought three aspects on the human condition,analysis behind the reveal of the zen of Kim ki-duk film,formed by the depth of the buddhist thinking.The epilogue part through a brief review of Kim ki-duk film style,sums up its unique creation.Analyzes the national buddhist culture infiltration and personal growth experience on director Kim ki-duk film creation.While addressing its successful film technique to Chinese filmmakers revelation,expressed concerns on the new development of the film.Generally,the purpose of this paper is to interpret the zen meaning of Kim ki-duk film work,through to its artistic style,aesthetic characteristics and cultural connotation research pointed out that the film has a zen Buddhism and zen.