A Study Of Chinese Animation Style Under Different Historical Backgrounds

In the pursuit of animation style,"Havoc in Heaven" and "holy return" are the nationalized animation style,two animated designers in the pursuit of creation is the same.But the two of the animation creation of the "national" pursuit and expression is different."Havoc in Heaven" is a flat,decorative style of the two-dimensional hand-painted art film,the picture stresses the white when the black and white,the actual situation of painting charm,rewriting and light and realistic,whether it is character modeling,action or music design are drama The characteristics of the creation of thinking is the system and the whole;"holy return" is freehand and realistic three-dimensional CG animation.Creators in the pursuit of illusory ink painting,but also to smooth the fighting action,full of tension and visual impact of the audio-visual language to create animation.Although the two production techniques are different,but are used in the era of mainstream animation production technology,in line with the audience's aesthetic habits and aesthetic needs."The Hall of Heaven" embodies the ontology of the "painting-based" nature of the animation,emphasizing the art of animation,and the "holy return" reflects the ontology of the "moving-oriented" The movement of the animation.The two creative ideas are different,so that the creation of different characteristics of the film and television animation.Although they have a variety of differences,but it is undeniable that they are successful animation.The key to their success lies in sticking to the national development of the road,whether it is the external form of expression or the intrinsic theme of the content,have shown a unique national characteristics,with a strong national style.Animation "Havoc in Heaven" and "holy return" are adapted in the Chinese literature "Journey to the West",the same ethnic style animation.This paper analyzes and compares the pinnacle of the nationalized art style of Chinese animation and the "animated" and the "animated" of the phenomenal animation.The art style of the two films is supported by theartistic theory such as aesthetics,drama and film.Multi-dimensional analysis,mainly from the picture design,the use of the lens,action settings,creative ideas and other aspects of the different historical background,the Chinese animation style characteristics and historical origins.The difference between the two animations in style is the focus of this paper,the paper is divided into five parts.The second part mainly analyzes the various aspects of the animation,such as the role modeling,the color setting,the application of folk art elements,the music and the dialogue,and so on.The second part mainly analyzes the purpose and significance of the research,The fourth part is the focus of the paper,mainly from the picture design,action settings,the use of the lens and other aspects of the two aspects of the analysis of the two aspects of the art of the national characteristics;The difference between the historical background,the difference of the audience orientation,the differences in the understanding of the animation ontology,the difference between the two aspects of the animation production technology,and the differences between the two aspects of the animation.Department of animation there are differences in style reasons.