Chinese Television Works Of Aesthetic Criticism

TV’s aesthetic criticism as an important member of the Chinese TV criticism family,it is mainly from the two aspects of the beauty of the TV works(the object)and the aesthetic(main body)of the TV works.At present,although more and more scholars and TV criticism scholars began using the criticism method of aesthetics to analyze and research on TV,and they has made some achievements,but the TV’s aesthetic criticism has not formed the systematic study.Therefore,this paper based on the achievements of the predecessors to study further for the Chinese TV aesthetic criticism,it contains the following points: First,the definition of aesthetic criticism on TV,and from the angle of aesthetic construction to analyze the TV’s aesthetic criticism,so as to grasp the definition and origin of television aesthetic criticism in essence.Secondly,this paper analyzes the object and category of the TV’s aesthetic criticism,and from four angles: theme,character,type and style.Thirdly,this paper analyzes and sorts out the theoretical basis,the advantages and disadvantages of each school,and tries to find a new aesthetic criticism order.At last,the author analyzes the significance of the aesthetic criticism of the Chinese TV at present,so as to give full play to the real meaning of the aesthetic criticism of the TV,and encourage more people to join the aesthetic criticism team.At the same time,this paper reflects on some problems in the Chinese TV aesthetic criticism.Through the study of this paper,we try to find a perfect mechanism of aesthetic criticism in the current imperfect TV criticism,so as to promote the theoretical construction of Chinese TV criticism.In addition,for TV producers,perfect aesthetic criticism aesthetic mechanism can provide clear guidance for their aesthetic value,prompting them to dig TV works from the angle of creation,and it has a reference value to practice and creation of television art.