The Origin And Development Of The Over-Glaze China Ink-Printing In The Qing Dynasty

This article selects the official ware,export,civil ware china ink-printing in the Qing Dynasty as the research object,based on the existing literature and heritage of different periods of the Qing Dynasty,number,analysis and comparison the type,decoration,artistic style,summed up the main characteristics of the official ware,export,civil ware china ink-printing in the Qing Dynasty.Combined with the development of white porcelain,cultural factors,aesthetic psychology of the emperor,cultural communication between china and the west and other aspects to explore the rise and development of the china ink-printing.And to further explore the art of color,relationship with wash painting and other aesthetics.The article noted that the black color in Kang Xi colorful extended to a wide range of use.Since then independent china ink-printing appeared.The china ink-printing in Yong Zheng period draw lessons from enamel colors,and produce the effect of “Chinese ink dividing into five colors” in wash painting.The aesthetic psychology of the emperor preferences created china ink-printing different artistic styles.Foreign demand for china ink-printing promote the popularity of export porcelain,the design style according to western woodblock.Provides a good example for the development of the china ink-printing in China.Meanwhile,the development of wash painting and white porcelain laid the foundations for the elegant and tasteful in china ink-printing.China ink-printing led Chinese painting "elegant" tendencies,and showing 18-19 century diversification innovation and achievements in over-glaze colors in China.