Jingdezhen Imperial Ware Factory in Ming Dynasty,as a peak in the history of imperial kilns,represents the most mature and exquisite level of porcelain production at the same time.Under the influence of the two activities of flower arrangement and bonsai planting,porcelain flower ware is developing continuously to meet the needs of the palace.This paper attempts to systematically sort out the category appearance of the porcelain flower ware in Jingdezhen Imperial Ware Factory in Ming Dynasty,and analyzes the internal logic of its design in the context of Ming dynasty social politics,economy and culture.This paper takes the porcelain flower ware produced by Jingdezhen Imperial Ware Factory in Ming Dynasty as the research object,and studies it from the perspective of design art.Firstly,the background,research methods and significance of the research are briefly described.Secondly,it summarizes the production background of ceramic flower ware from the social background of Ming Dynasty,the porcelain making background of imperial ware factory,flower arrangement and garden visit in the palace,and makes clear the objective development conditions of the research object.Again,the design and decoration contents of ceramic flower ware in Ming Dynasty are explored and their design characteristics are summarized.Then the social and historical causes behind the design of ceramic flower ware are studied.The first is to explore the individual preferences behind the special flower ware,the second is to specifically explore the influence of the continuous improvement of ceramic technology in Jingdezhen of Ming Dynasty on the design of ceramic flower ware,and the third is to explore the change and rise and fall of the palace ceramic flower ware in the complex changes of the Ming Dynasty.Finally,the paper analyzes the design idea of the porcelain flower ware of Jingdezhen Imperial Ware Factory in Ming Dynasty,which is based on the circumstance,the quality and the nostalgic innovation. |