The Research On Tang Dynasties's Painting And Calligraphy Fu

As an old and special form of literature,after Han,Wei and Jin,and Northern and Southern Dynasties,Fu still showed a strong momentum of development.TANG-FU is numerous with various species.Among them are calligraphy,drawing and so on.Taking Past Dynasties as blueprint,and combines with document literature such as The Cream of Literary World,Quan TANG-FU and Quan Tang Wen,this thesis sorts out 25 painting and calligraphy Fu of Tang Dynasty.It is divided into four chapters to analyze,including the contents as follows:In the first chapter,the author defines the concept of painting and calligraphy Fu.Then,the author briefly analyzes the development of painting and calligraphy Fu before Tang Dynasty by introducing its inception,rising and development in Han,Three kingdoms,Jin,and Northern and Southern Dynasties.According to the defining standard of painting and calligraphy Fu,the author comprehends the basic condition and lists of article of the existing painting and calligraphy Fu of Tang Dynasty,and has a clear understanding of it.In the second chapter,the author elaborates painting and calligraphy Fu from two aspects: calligraphy and painting,and generalizes respectively their content and art characteristics according to text content.In the third chapter,proceeding from art itself,governor,cultural development and their effects to the emergence of Fu,the author probes into the reason why painting and calligraphy Fu thrived in Tang Dynasty,which can help readers better understand its cultural connotation.Starting with Taoism,Confucianism,and combined with specific works,the author discusses the cultural connotation and values of painting and calligraphy Fu of Tang Dynasty in chapter four,trying to present its value objectively and truly.To sum up,passing through the development in Han,Wei and Jin,and Northern and Southern Dynasties,painting and calligraphy Fu thrived in Tang Dynasty.On account of its rich cultural connotation and special artistic characteristics,painting and calligraphy Fu of Tang Dynasty leaves indelible print in the history of Chinese Cifu.However,there are still some blanks in the study of painting and calligraphy Fu of Tang Dynasty,so the author of this thesis tries to have a macro grasp of the history of painting and calligraphy Fu,and reasonably assesses status and value of painting andcalligraphy Fu of Tang Dynasty in the history of Chinese Fu on the basis of the research on its ideological contents,prosperity reasons,cultural connotation and value to uncover its cultural meaning and value.