Study On "ShiGe" Of Yuan Dynasty

The so-called "shige" in the history of Chinese literary criticism.It's a kind of criticism theory of poetry art form.And it was not until after the early Tang Dynasty began to appear as one kind of writings of proper nouns.Furthermore the author thinks that the yuan dynasty was called the revival of the "shige" by Chinese literary is not only characterized by a large number of "shige" works,more reflected on the depth of the research work.In the innovation,yuan dynasty "shige" is inferior to the Tang and Song dynasty.But on the basis of inheriting predecessors' achievements,the yuan dynasty "shige" presents a systematic and detailed features.In this paper,studies in " shige " of the yuan dynasty which is divided into writer,rhythm,prosody,style and "shijing" five subject.Explore the yuan dynasty "shige ",how to realize the transformation from language to content and artistic conception of three layers of language mechanism.And realized a leap from technology to theory.In order to complete the overall theoretical framework of yuan dynasty " shige".At the same time,to carry on the rational analysis to the yuan dynasty "shige" behind the cultural motivation.Realize the two-way interpretation of literary theory and cultural,gain a better understanding of the yuan dynasty literary theorists' aesthetic orientation and value drivers writing of "shige" theory.The first chapter of the yuan dynasty " shige " is mainly about writer's self-cultivation.The yuan dynasty lasted for the ancient Chinese interpretation patterns of "Renpin yu shipin he yi er lun".Regard "qingxing" as the origin of poetry,emphasis on the affection of self-restraint and express.But in the concrete way of self-restraint "qinxing" has a different view: one is "Yue qing yang xing yi li shi ben".Asks writers must first do good people then to do good poetry.Two it is to advocate "Qingxing zhi fa ying zi ran er ran",asks writers follow their feelings,not obsessed with rules.On the basis of defining "Qinxing nai shi zhi benyuan ".It argues that "Han yang wei zhi dang yi yi xue",attach great importance to writers' knowledge quality.Think that reading can not only change the temperament ofwriters,but also beneficial to expand knowledge,master more poetry materials and skills.So yuan dynasty "shige" advocate "Du shu yi hou shi zi".And put forward the concept of "yi guan" "er xue" "san zuo" the ways of reading.The second chapter research yuan dynasty "shige" of the rhythmic proble m:Yuan dynasty scholar's on culture is also pursuit of a unified,stems from the unified political landscape.What is more,both elegant and orthodox of "da Yu an qi xiang" and the spread of the central plains culture is the core of the cul tural unification.Therefore,when the Yuan dynasty literati in creating of "shig e" rhythmic theory on the one hand established the " zheng sheng ya yun " ae sthetic ideal,and that rhythmic has the distinction of "orthodox" and "partial",a lso has the branch of "elegant" and "vulgarity".There is your reason for use of the central plains of rhyme,avoid risks of strange rhymes.Likewise put forwar d "yin qi qiu sheng" and "yin qing qiu sheng" two ways of adjusting the rhyth mic.In order to achive the "zheng sheng ya yun" aesthetic ideal.On the other ha nd advocate the harmonious collocation of rhythm,and mainly from two sides to analysis.Firstly,specific research to the following rhythm method,such as the "yi yi xiang he","yi yun xiang he" and "yi sheng he ti" and so on.In orde r to get the natural harmony of the rhythm,prosody and content.Secondly,ref lection the rhythm theory of the tang dynasty,pointed out that "Shi qi zai zhu an dui ou sheng bing",consequently achieve shifts from "Zhuan ji sheng bing" to "Huo fa yong zhi".The third chapter researches the yuan dynasty " shige" of the prosody pro blem: The study of the prosody problem of the yuan dynasty " shige" follow from the format to the meaning and aesthetic overall construction way of thin king,thus realize from technology to the theory of sublimation.At the first,to trace the origin and development of prosody.Put forward that "Zhengbian zhi shuo ben yu san bai pian",so should will be subject to article conception,its "zheng" or "bian".And then to "Shi xiong zhong wu fei gu ren zhi yu","Xia bi bu qi qi gao yuan er zi gao yuan".Second,in verse structure arrangement,advocated the method of "tongbian",and emphasize "Shi fa zhi bian,er bu li hu zheng ye".The fourth chapter discusses problems of the Yuan Dynasty Poetic style: The study of the yuan dynasty "shige" poetry style issue embodies the positive interaction and two-way interpretation of literary theory and cultural.The scholars in yuan dynasty from the viewpoint of Liu yuxi "Ba yin yu zheng tong",thinks that the Yuan dynasty has the unprecedented vast territory,so its "wen de yuan bei","yi xia tong feng",nor a tang and song dynasty can match.Influenced by the compatibility and inclusion of the literary ethos,the yuan dynasty in the discussion of poetry style focuses on three aspects:firstly advocated "Xuan shi bu dang yi ji ju ren",but is for the purpose of get the "feng ya zhi zheng",for all kinds of style type of gain and loss on detailed evaluation;secondly advocate "Bei jin zhong ti er cheng yi jia".Thirdly rational analysis of the cause of the poetic style diversity from the three aspects of time,self-cultivation and poetic form.And the yuan dynasty "shige" inherited the genre consciousness that began to germination of song dynasty to combing the history of poetry.In addition,concentration and the discussion of the system of JiangXi poetry patriarchal tradition,and it compares with other genre of poetry.Finally,the yuan dynasty "shige" appreciation of "zhenwei" and "gegao" of these two kinds of "shijing".Yuan dynasty "shige" in the aesthetic pursuit of "gegao" and "zhenwei",from creative skills,aesthetic ideal,writer accomplishment three dimensions for the discussion of the two different kinds of "shijing".Thereby realized the sublimation from rules to heart,from technique to art.On the creative skills: the former believe that "Shi ji tai gong,gong er wu wei".But the latter insisted that "Shi yu yige cheng yu zi ju".On the writer accomplishment: the former put forward " Ju shi yan qing,er you wu qiong zhi wei".However the latter is pointed out that "Yi ge yu gao zhi hu yi li han yang" argumentation.On the aesthetic ideal:the former advocated that "Yu pindan zhong qiu zhenwei".Otherwise the latter maintained that "Shi xian kan ge gao,er yi you dao,yu you gong wei shang".