Chinese Works Of Art In The Ming Dynasty And The Warring States Period In Japan Comparative Study Of Generals Images

The Ming Dynasty,China painting art rapid development,figure painting occupied an important position in the.In fact,whether it is from the point of view of the entire Chinese feudal period of the figure painting or from the point of view of the Ming and Qing Dynasties figure painting,the Ming Dynasty especially the late Ming Dynasty,the figure painting in the development of figure painting is unique.This uniqueness embodies a dynasty historical change and social feature is reflected in the figures,is also reflected in the fading figure painting regrouped in late Ming Dynasty,resulting in figure painting in history again experienced a "resurgence",and return to the commanding heights of the painting stage in the paintings of the Ming and Qing Dynasties declining.In these woodblock prints,ink art in the emergence of a large number of people,especially the general image worth ruminate.At the same time,arts of Japanese "Ukiyo-e" with China across the sea in front of the Warring States period benefit and transformation,and presents a more major and national image sense.During this period,the spread of the development of Zen and Bushido are many generals painting spread.So,this article from the generals image picture content contrast analysis as the breakthrough point,compared to the Ming Dynasty of China and Japan during the Warring States period generals image,and then analyzes the two countries with different national character and aesthetic differences between,in theory the academia generals image in the Ming Dynasty of China and Japan during the Warring States period works of art in the comparative study of more detailed and thorough.The main purpose of this paper is to study the Ming Dynasty of China and Japan during the Warring States period works of art in generals image in the aspects of characters,line,color,there is a difference.Specifically,the research content of this paper is divided into the following several parts: firstly,the introduction introduced this topic research significance and academic value,analysis of the domestic and foreign research present situation,research methods and research purposes as well as the research mentality and the structure of the;the second chapter is the summary of the generals image in Chinese Ming Dynasty art works;the third chapter describes the image of Japan’s Warring States period works of art in the military commanders;the fourth chapter expounds the comparative analysis of the image of generals in the Ming Dynasty of China and Japan during the Warring States period works of art;the fifth chapter to the image of the generals in the Ming Dynasty of China and Japan during the Warring States period works of art aesthetic thinking.The last is the conclusion of the whole paper.