| This paper through the Pan Zhulan before birth, in the late Qing dynasty national calligraphy phenomenon, there are several aspects of Pan Zhulan after learning calligraphy, has an important influence. The latter qing dynasty of ancient nationalities revival, stone inscription rubbings unify gallery; Qing dynasty calligrapher, conscious pursuit of self calligraphy faces. The late qing and early republic period, the past jing books sell India become a common phenomenon; The emergence of new archaeological materials, injected fresh energy to the gallery of China; Economic development, the growing market of calligraphy prosperity. The characteristics of the gallery in the qing dynasty, has a far-reaching influence on Pan Zhulan calligraphy study.The article through the introduction to Pan Zhulan life again, to see the living environment’s influence on him. From his family, friends and teachers, students, to study the factors of forming self calligraphy style Pan Zhulan. By studying Pan Zhulan learning calligraphy approaches, methods, and he treated oracle’s point of view, and to study its on the original power of oracle bone inscriptions calligraphy creation. In all kinds of calligraphy and the surrounding environment, under the influence of Pan Zhulan walked out of their own handwriting.Pan Zhulan handwriting has its "our" inner temperament, through the study of the style of all kinds of works, draw the conclusion. Especially the influence of the oracle bone inscriptions calligraphy, as well as the innovation place in creation, to the oracle calligraphy creation. |