Research On The Decoration Of Famille Rose Porcelain Banded Pattern In Qing Dynasty

In the past,the strip pattern always showed the world with decorative and regular features.Through the combing and analysis of Famille Rose Porcelain of the Qing Dynasty banded pattern decoration knowledge,can feel strip lines are far more than the meaning of the technological achievements,more involved with wisdom and crystallization of ancient Chinese artists,painters and craftsmen.In Qing Dynasty famille rose porcelain grain ribbon decoration not only exquisite workmanship,kinds and different,and attempt to break the pattern of stylization,model.This delusion is change the traditional novelty seeking breakthrough initiatives,precisely because of the product after the collision of western traditional culture and traditional Chinese culture at that time.Therefore,under the mutual influence of eastern and Western art,Famille Rose Porcelain of the Qing Dynasty ribbon stripe of decorative patterns become more abundant,more novel.The Qing Dynasty reflects the famille rose porcelain belt Chinese traditional culture rich and broad,reflects the Sino foreign cultural exchanges and integration.It is now,the traditional ceramic decoration best research data,Famille Rose Porcelain of the Qing Dynasty banded pattern changing,inherit the tradition and innovation,with bright color,not stick to one pattern.Behind it condenses the past aesthetic philosophy,ideology and value concept,the "Wen must intentionally,meaning must be lucky" feature is people’s longing for the good wishes of life and longing,reflecting the decoration people-oriented,service for people’s thoughts.Traditional ceramic decoration is a great treasure house,at present a variety of cultural impact,we are not blind imitation and copying of foreign art,but should to make good use of tradition,from the past to absorb nutrients,to its dregs.The future is still the trend of the development of ceramic decoration design,to process development,to the development of art.