The Application Of Composite Materials In Traditional Chinese Painting Creation

After the 1920 s, the rapid development of high technology and industrial civilization and the rapid development of scientific theory to explore the prompt knowledge involved, blend each other between different disciplines.The same is true in the field of painting art, the concept of a variety of media material interface, a variety of intercourse and a crossover in the field of painting species boundaries between fuzzy and even digestion, so painting to composite materials in the present stage is not a kind of speculation, is in the future will be long term widely used a form of artistic expression.Integrated applications of painting materials and expression in the transformation of the concept of Chinese painting has always been artists to discuss and debate topic for a long time.From the point of the ancient history of painting, many artists in art achievement is realized through the innovation of Chinese painting materials. Material is the material basis for the painting art to show. In traditional Chinese painting, Chinese painting with a simple pen and ink and contracted line gently, expresses the artistic state of work, but this kind of single pen and ink and line makes traditional Chinese painting in the creation of the closed loop. In contrast, the application of composite materials for creation of Chinese paintings brought new opportunity, breakthrough the traditional creation limitations, for the Chinese painting art has brought a broader space for development.The so-called material, that is, all the things around us. Material is a material that can be touched, visible, visible, but also can be heard, can smell and can not see, people’s thoughts and ideas can be used as the carrier of art expression.. Throughout history, the history of Chinese painting is the painter will break and innovation into one, and the achievements of these works and innovation related materials. Contemporary artist Chen Xinmao believes that the Chinese painting needs to continue to develop and innovate, even if it is a means of creation has changed, but also to promote and develop the traditional Chinese culture, is to further enrich the connotation of Chinese painting, so that Chinese painting has been further developed. The creation of modern Chinese painting is no longer only the use of plant pigments, but also the beginning of the use of metal pigment and mineral pigment and other man-made pigment to make Chinese painting, these pigments greatly enriched the color effect of Chinese painting. The development of painting, making the material innovation, as well as the material innovation and development have also promoted the development of painting and performance space.Since today’s artists are working to create and develop new interests, a new area, and the traditional materials have not been able to complete the performance of a new, special painting technology, therefore, the artist gradually began to attach importance to painting tools in the painting techniques on the conversion and update.The use of new painting materials released the characteristics of Chinese painting materials, modern artists began to use a variety of auxiliary tools to create, creating the effect of the traditional materials can not achieve the effect of the image, the focus of the performance of the painting. In the process of painting, the artist chose and used the material is not only the carrier of the painting, but also showed its unique aesthetic view. The right material can give a strong visual impact, and the characteristics of different material can give a person with different aesthetic taste, this is people in art creation and art appreciation should pay attention to the problem. "The sky is sometimes, the earth is a gas, the material is beautiful, there is a clever, and the four can be good. Material harmonious beauty, but is not bad, from time to time, earth." Painting materials in the painting is not a substitute for the artist is willing to use new materials for painting creation, because the new material is not only able to enrich the art of painting, but also to develop and innovative thinking space.Chinese painting equipment mainly by water, ink, brush, two thousand years has been in use, and this picture is not much change, but the carrier material carrying painting is in two thousand continuous change. Chinese painting at the beginning of the painting in general is generally on the silk, but the use of the silk and the use of the silk is not the distinction between silk and cooked silk, more non painting. Then only the "work should be done, to distinguish between freehand Yisheng". In the original painting, due to the material, the color of the water contained in the water will occur, resulting in the phenomenon of the halo, but if it is a very skilled and suitable for the control of water, and will not produce the. But there is a layer of powder or alum gel on the surface of cooked chicken, almost no water, so it is more suitable for drawing painting. China painting figures, flowers and birds, the landscape painting of the three division, derived from silk. Fine silk texture, flexible to make a lot of water and ink mixing, halo texture effect, this "water and ink" in the history of Chinese painting is as follows for a long time, in order to provide a new possibility and more space for the development of Chinese painting.Throughout the history of Chinese painting, the innovation and development of Chinese painting plays a very important role in the change of material. Whether it is the original period through the drawing of the record, or in the period of the southern and Northern Dynasties palace temples of painting. As well as the Yuan Ming Dynasty popular literati painting, each time the development and reform of Chinese painting, painting material changes and use is very important. Existing painting materials and technology can not meet the requirements of the development of Chinese painting, so we must continue to explore and innovate, and constantly improve the Chinese painting system of material technology.