| Feminism has been widely used in the field of art, it is emerging in the film, movie, television and literature as well as the opera stage. Meng Jinghui, a pioneer of contemporary drama, repeatedly showed this theme in his works. His dramas are loved by his audience, and have a style of exaggeration, bold and sarcasm. He gives the feminism a distinctive pioneer color combining with the form and content of the work through many pioneer featured artistic means.The first chapter will summarize the topic of this paper from the aspects of the source and significance of the issue, researching status and the paper’s difficulty and innovation and so on.The second chapter will expand the western feminist movement and feminist theory of drama,and makes an overview of the postmodern feature in Meng Jinghui pioneer dramatic works, and analyzes multiple effects of the western literary thought and the female playwright and the reason that the distinctive femininity disclosed in theatre works. The third chapter intended to analyze by choosing representative works, including the anti-gender binary opposition narrative mode reflected in Soft and Maid, and a double viewpoints under the care of Love Rhino and Amber, as well as the gender awareness and body politics in A letter from an unknown woman and Hello, sorrow. In these works, the impressive female characters with distinctive features are shaped no matter what the narration, stage expression and speech language are like. At last, the paper will summarize that the dramas of Meng Jinghui have an unique artistic charm because of their free and open gender perspectives, enrich today’s theater scene, and have far-reaching significance to the extension of the aesthetic category of the audience as well as the improvement of art level and the exploration of art form. |