| Online matriarchy fiction is showed up in Jinjiang website at 2005. Nowadays, it has covered most of the Original online novel websites. The women can speak for themselves on a free platform by network penetration and mature, technical support and the reduce of online writing requirement. Besides, online matriarchy fiction itself gets somebody’s attention, and then become a matriarchy cultural phenomenon. Young women, especially born in 1980 s and 1990 s, are the main participants in the matriarchy culture. They are misunderstood and tagged with Feminist. However, in the last ten years, they have got a rapid development. Online matriarchy fiction has become a network cultural phenomenon which is avoidless. Although online matriarchy fiction subverts the world of reality, it’s still a response to the contemporary life and worthy of researching.This paper is a study of online matriarchy fiction in mainland China, discussing the literary meaning and cultural meaning of online matriarchy fiction based on feminist theory and culture study.This paper is divided in six parts. The introduction introduces the research background, status of the subject, significance and method. The chapter two tries to give a definition of online matriarchy fiction and describe the matriarchy culture. The chapter three explains the positive significance of women carnival in online matriarchy fiction form two aspects: the explosion of women desire and women vision of "seeing and to be seen”. The chapter four analyzes online matriarchy fiction as postmodern game writing. In the chapter five firstly illustrates the utopian nature of online matriarchy fiction, and then explains the women’s self-identification. The last part is a epilogue for the whole paper. |