Su Tong’s Novel The Childhood Imagination

Childhood and there is an imaginary space between literary creation and imagination as an aesthetic experience of the writer’s childhood has a profound influence on literary creation. Based on "childhood imagination" as the breakthrough point, study of su tong’s novel creation, think on their own childhood experience su tong written into the float in the sky of imagination at the same time, "childhood" and "imagination" as unicom su tong bridge of the external world and their inner world, and thus affects the characters for the selection of the novel, as well as the construction of artistic aesthetics.Based on su tong characters in the novel, the analysis of the aesthetic emotion, without exception, we found that the characters in the novel su tong wracked by fate, in the process of the resistance with the fate or death or injury, always doomed curse, make the full text is always shrouded in sad atmosphere. It is associated with the childhood experiences of su tong lonely and sad, the traumatic childhood experiences, make su tong in novels written in children’s perspective on the world and human life circumstances, to seek, receive psychological comfort, and in the process of writing on childhood experience into his unique artistic imagination.Su tong in his novels in their own special way to complete his childhood imagination to construct, based on home, family legend, the south memory narrative and myth reshape aspects of analysis, discusses the way of su tong novel childhood imagination. Think "world Chinese beech tree" and "XiangChunShu world" is a fictional two home, su tong su tong in the two geographical coordinates in the process of describing the people and things, completed the childhood think this belongs to the special writing childhood, su tong shows the unique childhood imagination su tong’s novels.This paper from two aspects of aesthetic emotion, philosophical connotation ofsu tong novel childhood imagination of aesthetic construction are discussed in this paper, the thought as the representative of new historicism, su tong in childhood imagination and often into the concept of new historicism, broke the grand historical narrative, with "zero state" creation, showed the cruelty of reality and human nature beauty and could not hide the sad feelings, as well as to the teenager grows and historical individual humanitarian concern.Childhood imagination not only provides a prototype of art, su tong’s novel creation and injected with the depth of thought. At the same time points out that the novel childhood imagination su tong is a double-edged sword, for its creation has both positive effect, also bring certain limitations.Tend to integrate into the new historicism, broke the grand historical narrative, fragmentation story plot, and is not based on the description of the history of regular, but carried out in accordance with the instinctive desires to write, so as to show the author focus on human nature, and focus on the writing intention of the instinct of a man desire. Childhood imagination not only provides a prototype of art, su tong’s novel creation and injected with the depth of thought. For childhood imagination created by su tong, meanwhile, we have some concern, at the same time in the imagination of how to get rid of the inherent style, realize the transformation of creation, to avoid the path of typing? That is to forget the past and reinvent themselves, make yourself pure.