In The First Decade Of Modern Chinese Literature(1917-1927), Female Poetry Study

At the beginning of 20 th century modern female poetry(1917-1927) is in the may fourth new culture movement against the feudal shackles main current of The Times, the pursuit of personality liberation was born, grew up, also is in the first decade of modern literary literature important harvest. Represented by Bing Xin, Chen Hengzhe female poet, which can break through the traditional limitations of literature, with the attitude of equality with men at the dialogue on literature for the first time into the literature of male monopoly, radically changed the situation of male discourse dominating literary field of Chinese literature. These was awakened by the great age of women poets not only sincere to write their real life experiences, and on the theme of the era, social problems made her own answer. Female poetry in the first decade of modern literature has obtained the obvious achievement, also for later female poetry writing provides a rich experience, but due to the age and the limits of their own, their writing is female consciousness is not outstanding, simulated male writers tone.This article is divided into four parts.Introduction section Outlines the research status and female poetry concept and the development of female poetry in contemporary literature.The text includes three chapters. The first chapter: the first ten years the rise of female poems. Through the analysis of the background of female poetry appeared, rise to the surface of the women poets and poetry creation theme and artistic methods, introduced the first decade of the female poetry as a whole.In the first decade of the second chapter: the female consciousness in female poems. The bold resistance, free from the feudal traditional eagerly calling, independent strong pursuit of love, expression of women’s emotional words, active participation in the social life and so on several aspects discusses the female consciousness of the first ten years.In the first decade of the third chapter: the significance and the limitation of female poems.