The Fifth Version Of "Sister Jiang" Shapes The Analysis Of The Music Sociology

China’s national opera originated from 20 or 30s of the 20th century,began Li Jinhui creation in\"artists\",\"sparrow and child\" and a series of children’s opera.In the 40s of the 20th century,with characteristic of Chinese national opera\"The girl with the white-haired\" was born,the Chinese opera development to a new historical stage;After the founding,opera on the basis maintain of their original creation,and blend in some western opera creation characteristics,both of the\"red\" and\"Jiang Jie\" developments in a bimodal extraordinary splendors.Chinese national opera has experienced a long process of the curves,and\"Jiang Jie\" as one of the representative work of China’s national opera,it will be the western opera form with China’s national opera performances,and the combination of Chinese national Musical Instruments,with the typical graceful songs of the paragraph,smooth and vivid depiction of the hero image task in China,is worthy of a monument in the history of opera in China.Paper in the main body part is divided into four chapters:the first chapter is a comprehensive overview of the opera "Jiang Jie".The first section spoke of opera "Jiang Jie" social causes;The second section is about "Jiang Jie"character image analysis,distinctive "Jiang Jie" artistic image with the development of opera story and jump in different roles,but the artistic image of "Jiang Jie" are around revolution struggle of lofty ideals,condensed the almost all the elements of "positive",thus more prominent Jiang Jie hero image.This is the ’60 s audience to imagine the embodiment of the ideal characters.A Jiang Jie character that conforms to the social background of people’s spiritual needs and creation concept at that time,it is also a national opera Jiang Jie rapid spread of the objective factors.Third quarter is in the middle of the 20th century music sociology of development,main is the subject of music sociology is a basic subject,through a series of social activities opera music sociology derivation of the object of study,points out that the five generations of opera "Jiang Jie transverse,longitudinal,and diversified development rule and opera" Jiang Jie evolve in the music society and history,with the special relationship of human society,and so on.The second chapter is the phenomenon that the five dynasties "Jiang Jie" art comparative analysis.Jiang Jie,the first section of the five dynasties opera in different deductive one by one,the second section is about the five dynasties"Jiang Jie" music style,social culture and the audience,the comparison of aesthetic psychological change.The third chapter from the music sociological analyses "Jiang Jie" opera art phenomenon.Jiang Jie,respectively from the opera in the sociology of music transmission of the development status,the social function of the opera"Jiang Jie",the development of the diversity and the five dynasties "Jiang Jie"of the development of the objective law,etc detailed analysis,demonstrates the development of the opera "Jiang Jie deduce accords with the objective law of social development communication,which will be demonstrated a promotion,not only is the evolution of opera" Jiang Jie need accords with the objective law of things development spread,all other things,whether past,present,or future,it must conform to the development of the objective law of things development.