The Research On The Visual Spatial Structure Of Levitan Landscape Oil Painting

Levitan’s landscape painting contains the poetic, profound theme and the monumental composition is unique in all the scenery oil painting works, this paper intends to with Arnheim’s visual perception theory as the breakthrough point, the use of "force" of the visual spatial structure theory of Levitan’s landscape painting for goods to analyze the image. The research method, which is different from the previous research on Levitan’s landscape oil painting, is put forward in the view of Levitan’s landscape painting works from different perspectives. To draw inferences about other cases from one instance can be applied to other works of art, and for the future creation of landscape paintings provide theoretical guidance.The from the following five aspects of Levitan’s landscape painting of the spatial structure of in-depth analysis, hope to macroscopically with Arnheim’s visual perception theory knowledge, more comprehensive systematically anatomy of his painting style and deep in the style of profound emotional meaning, to him in the realistic figurative painting monumental schema and the works of original value be reconsidered. The first chapter is the introduction part introduces the research background of the topic selection "research" visual spatial structure of Levitan landscape painting, the significance of the research. A few as well as the main contents, the domestic and foreign research status and research methods and main innovation points etc.. By reading a large number of relevant literature to conduct a comprehensive combing norm to study the use of Arnheim’s "force" of the visual perception theory knowledge feasibility analysis of Levitan’s landscape painting of the picture.Summarizes the significance and value of the research, and then introduced the second part of the paper. The second chapter directly into the theme, analysis and comparison of Levitan landscape painting line layout. Combined with Arnheim’s "force" style at eye level segmentation and contour of the base line, the heart of specific direction. According to the specific statistics and examples of drawing instructions "force" in Levitan’s landscape painting eye level layout performance reveal Levitan’s landscape painting monumental composition to form a law. The third chapter to from the proportion of Levitan’s landscape paintings of the space to elaborate, comparison of landscape paintings in the most basic elements, specific proportion of the heaven and earth, the three accounted for, collect data, by use of pictures,detailed statistical data and picture analysis, on column Vitan landscape paintings "force" analysis and artistic style has more in-depth understanding of. In the fourth chapter, from the lieweitan landscape painting color rhythm are analyzed, including the main tone and the bright colors of the business, attempts to use statistical data and picture analysis method, toconstitute important landscape oil painting color of "force" of the analysis. Chapter five is the lieweitan landscape painting point, line and plane, rhythm, including mottled light, tall and straight vertical line, heavy pieces of three parts. Analysis screen to point, line, feel the object specific statistical data, from the analysis of the picture of the most basic elements of composition, line, surface, "force". From the other point of view, a more in-depth study of the composition of the picture elements of Levitan’s landscape painting. Through the study of this topic hoping to sort out is a more detailed and comprehensive data and theoretical basis, in order to study on Levitan’s painting art to initiate the effect.