The Research Of Chinese Musical Aesthetic Issues

During the development of typed film art in our country, in terms of quality or quantity musical film are lagging behind other Genre Film. But the aesthetic value of musical which contains in the musical aesthetic related issues in terms of aesthetic value as a genre film. In our country, the films which can't call musical but included music and dance elements experienced a development process of its own genre: before the founding of new China, the films were known as its drama and singing elements; after the founding of new China, the films were mainly in the form of opera and stage show; during the Cultural Revolution, the films were shown as Model Operas; after the reform and opening up, the films combines story with music and dance art. Therefore, in the study of the aesthetic issues of genre film in our country, discussing the aesthetic issues of musical is very important to probe its aesthetic value and to explore the development path. By elaborated the aesthetic formation of musical and aesthetic psychology of audience and analyzed the limitations and uniqueness of musical aesthetic in our country, the paper proposed the importance to increase the aesthetic ability of filmmakers and audiences to accelerate our musical development.Addition to the introduction of this paper, there are three parts. The first part mainly describes the aesthetic elements of musical aesthetic elements which contains the art of music, dance and play. And analyzed how music get involved in the film plot narrative, scene depict and emotional expression, the artistry of dance and its narrative role in the film as well as the play themes and narrative modes that mixed with the art of music and dance in our country. The second part analyzed the musical aesthetic psychological of audience by combining with typical Chinese musicals lately in detail. Focus on describing the attention from the audience, perception, association, imagination and emotional experience to aesthetic, understanding of mental processes as well as the functions of the Horizon of Expectation and Unfamiliar aesthetic in musical aesthetic psychological. The third part analyzed the uniqueness and limitations of Chinses musical. By reviewing the development process of musical in China, the paper also described the co-existence status of limitations and uniqueness of Chinese musical during the way of musical development in China in the view of film aesthetic.