The Narrative Study Of Cao Baoping's Films

Cao Baoping is a creator of great passion,his films by narrative leads to social cultural phenomenon,the phenomenon of surface texture rendering extension to culture.Director has been the pursuit of how to put the mainstream film shoot a mainstream film good,how to make it different from traditional mainstream film of interest,and committed to the personal narrative way show the complexity of social reality.At present,the domestic about the document of bao-ping cao director research journals,more than 30 articles,master thesis,and there is no related theory monographs,most literature periodical is the content of the story for the director,some work,narrative clue,or characters in the novel the prototype and is shaped by the characters in the film image were analyzed;Part of this objective material from his own interview and report.For the director,therefore,narrative style is lack of comprehensive research,needs further research.Cao Baoping has a unique way of narration,starting from a good story.His films truly show the underlying characters in social status and mental outlook in life.We can see that he stands on the omniscient point of view to create and practice,feeling his feelings for the movie.Moreover,he can balance the relationship between commercial and artistic quality,at the same time independently using the film elements,telling the wonderful stories,the quietly in foil emotions,expressing the human nature.In this paper,based on the theory of narratology in movies,the author introduces and analyzes the five films by the director Cao Baoping: The Equation of Love and Death,Trouble Makers,Einstein and Einstein,The Dead End and Pure Sentiment,especially to The Equation of Love and Death,Trouble Makers and The Dead End of the three films of the narrative style and film narrative elements to have a detailed and in-depth analysis.The director Cao Baoping in the film,has obvious label itself,is not short of individual elements for its service.Five films have difference on the theme selection,among them,the different people for anqing persistence and pursuit,individual small people under the strong pressure of bright and panic,in real life,human nature under the grey area as well as the national ideology of education,the director used to standing under the omniscient point of view about the real life,the typical character image in person narration way,get lost in the love of women,big society under the background of the “bad guys”,the heavy sentiment and the small character profound visual impact to the person,real stereo and plump,bring the audience was moved.Cao Baoping cleverly avoid the traditional narrative mode,the use of double track structure film,whether love suspense,highway or drug trafficking and drug pills,director with the film elements to incorporate three narrative clues in the film,fully display his grip on the nucleus of the story,the narration characteristic of both the skin of the story.Film style in a certain extent represents the narrative style of the director himself.Cao Baoping director uses profiling characters to self and political ideology hidden,they united to become the most intuitive performance director narrative style.The use of subtitles in the film highlights the function of its location,interpret images can convey information;Music in the film is very good to control the narrative rhythm,as the narrative of the story and the director plays a role of of the emotion of anger.Swearing and dialect expression became the director of new technique in the narrative elements,better power director lyrical.He is now in the contemporary Chinese director still insist on using the “Chinese characteristics” black humor to the director of narrative,one of the nice quality,having strong sense of social responsibility and ethics.The director Cao Baoping has artistic features of internal and external and repairing,and pursues the two legs,after he completed narrative,still want to be a kind of emotion,artistic conception and other metaphysical one state.He always adhere to the purpose of the film,leisurely doing yourself,keep their own unique artistic style.Director in the film narrative aspect has his own perseverance,he USES his own narrative face problems that exist in the real life,his narrative style and artistic characteristics is worthy of reference for filmmakers and thinking very much.