Salvation And Transcendence—on Aesthetic Spirit Of Shi Tiesheng

Dilemmas are the source,materials and theme of the writing of Shi Tiesheng.The salvation and transcendence of them achieve the significance for Shi Tiesheng in the Chinese contemporary literature.To explore how Shi Tiesheng succeeded in saving himself as well as human out of the limit of dilemmas is of certain significance.This thesis begins from figuring out the living dilemmas faced by Shi Tiesheng,and then pursue dilemmas he found which are beyond his personal life experiences belonging to the human being.Having fund out the dilemmas belonging to the human being,the thesis plans to explore his aesthetic spirit and ultimate concern contained in his salvation and transcendence.Besides,the significance of it for the history of Chinese contemporary literature will also be revealed.Shi Tiesheng was faced with multiple difficulties' persecution.For example,the harsh natural environment,the heavy farm work,lack of food,lack of sleep during the life in Qing Pingwan,physical pain,unsatisfactory work,love being restrained,dignity impaired,can not find the meaning of life after he returned to Beijing are disturbing factors to his life.In the contemplation at Di Tan,alone in-depth,he probed the fundamental human being dilemmas:loneliness,pain and fear.Under the abstruse questions of individual incomplete life and fundamental human dilemma,Shi Tiesheng began his journey of salvation and transcendence.When writing for soul peace,spiritual solace and breakthrough in fundamental dilemmas,Shi Tiesheng broke out the limit of time and space in real life,saw the eternal of the nature and life,found the meaning of life lies in the process,stepped into the aesthetic position to complete the aesthetic transcendence.In the writing of Shi Tiesheng,the care for life and death,the comfort for spirit and the exploration for meaning of life reveal his ultimate concern for human beings.The salvation and transcendence which is filled with aesthetic spirit,is also a breakthrough in realism,transcendence of nihilism and negation of writing for lust.