Yun Nantian Landscape Painting Analysis

Yun Nantian worships has a prominent contribution in the history of Chinese painting,which can be called the all rounder.In the current study for Yun Nantian can be described as flourish,said it is,these studies mostly biased he of "Mogu flowers" and painting postscript theory research,and for Nan Tian landscape painting research not covered more than that ignores the in his landscape paintings reveal the cultural value.Although the "flower" Yun Hui Nantian worships "passed to the world,but he is the most beautiful landscape painting is.Was forced by the Qing Dynasty to Ming Shi descendant pressure,under maintenance on household livelihoods,and humility to friends Wang shigu,Tian Nan can only cater to the downstream to the creation of flowers,the "boneless" flower development to the peak,which his landscape paintings by "no bone" covered by painting.South field landscape painting stand aloof from the world,unique style,Manhattan,Xiao San,falsely quiet,quiet,should be most concerned about is painting a lot of inscriptions,the "Yi" and"feeling" "interest" can best embody the Nantian aesthetic view,reflecting the south field for earthly personality,and gone against the state of.His paintings expressed deep national sentiments,andresearch inherits the essence of the previous art,breaking the wind of the Qing Dynasty respected Mogu.Put forward the "photo"insights with the ancients compete,for retention and made a great contribution to the inheritance of orthodox Chinese culture.In this paper,the postscript of painting for Yun Hui Nantian worships clues on the landscape painting production,mainly discusses the formation and characteristics of.Refers to the evaluation of different period of famous people with lofty ideals to Yun Nantian landscape painting,can fully see Nan Tian of landscape painting in the late Ming and early Qing unique,the landscape painting achievement should not be overlooked.In Yun Nantian ups and downs of life has been to the landscape as partners,with landscape painting as a unique form of writing of his spiritual journey.So we should correctly treat Yun Nantian landscape painting,let people of South Tian understanding not only stay in the "boneless" flower,and should be more comprehensive understanding of the contribution he has made to the landscape painting,able to carry forward the achievements of his landscape painting.