Reserch On Changbai Pagoda In The View Of Buddhist Architecture Culture In Central Plains Of Tang Dynasty

The Tang Dynasty is the most glorious and prosperous Dynasty in the history of our country.The Buddhist architectural culture in this period has developed and flourished,and the construction technology and art of the brick and pagoda have developed to an unprecedented height.The Central Plains of Tang Dynasty,as the core area of Tang culture gathering,continuously spread mainstream culture to its surrounding areas.Bohai,as a subsidiary of the Tang Dynasty,has been in the north of China for more than two hundred years and enjoys the reputation of "Hai Dong Sheng",which can not be separated from the profound influence of Tang and Zhongyuan Culture on the development of Bohai.Bohai’s Changbai Ling pagoda is not only famous as the only preservation of the complete Bohai Pagoda in the period of Bohai,but also widely concerned as the only preserved Tang Dynasty architecture in the northeast.As a national key cultural relic protection unit,the Changbai Ling Guang tower has little research on the protection of world cultural heritage.Starting from the architectural culture of Zhongyuan Buddhism in Tang Dynasty,this paper makes a special study on the architectural history and culture related issues of Ling Guang tower for the first time.This article first collects and collects relevant information of the auragaga tower,and conducts field research on it.On this basis,based on the research methods and methods of architectural discipline,taking the Tang Zhongyuan Buddhist architectural culture as the breakthrough point,this paper makes a comprehensive and systematic analysis and Research on the two aspects of the spiritual tower from the architectural technology and the architectural culture.Secondly,based on the introduction of Buddhism into China and Sinicization,the development and evolution of the Buddhist culture in the Central Plains and the Northeast are analyzed and discussed.At the same time,the evolution background and basic characteristics of the Chinese Buddhist pagoda and the Tang pagoda are discussed,and the existing Buddhist pagodas in the central Plains of the Tang Dynasty are counted and analyzed.On this basis,the architectural form of the auragaga tower is analyzed,and the comprehensive value of the aura tower is discussed.Here,the detailed analysis,induction and summary are made from the aspects of architectural form,structural details and decorative art.Finally,taking the Central Plains Buddhist architectural culture in Tang Dynasty as the background,the cultural characteristics of the aura tower are comprehensively analyzed and studied.This article focuses on the systematic comparison between the tower of light and the same type of pagoda in the Central Plains of the Tang Dynasty from the aspects of architectural form,construction technology and decorative features.Through comparative study,the similarities and differences between the Ling Guang tower and the Zhongyuan Pagoda in Tang Dynasty are obtained.To sum up,the spiritual tower is the result of integration,evolution and innovation in the process of mutual exchange and collision of the Central Plains culture,national heritage,regional culture and the culture of the surrounding countries under the specific historical conditions.In addition,through the study of the cultural characteristics of the spiritual tower,this paper also puts forward some personal suggestions on how to disseminate the excellent architectural culture contained in the pagoda and make a prospect.