| From 1950s after the reform and opening up to international architecture field was blowing a European style,in modern architectural design also often entered a misunderstanding:in order to reflect the traditional architectural form,space,direct imitation of traditional architecture to modern architecture,design a lot of fake antiques,the traditional method and the expression of is not a good inheritance.Since previous studies and materials on Inheritance and expression of tradition have mainly focused on attitudes and advantages,it is not a lack of summary that draws power or techniques from tradition.Therefore,the main work of this article is to analyze and interpret the case,thus summing up the principles and methods of drawing strength from tradition.Therefore,I think there are four problems that need to be solved:(1)what are the experiences of world architects about the modernization of traditional architecture?(2)where is the charm of traditional architecture?(3)what are the three aspects and methods of drawing power from tradition?(4)what are the influencing factors in the process of modernization of traditional architecture,and what is the solution to the problem?The second chapter describes the necessary concepts,at the same time,through the collation and analysis of Japan,India,Europe and the United States in Latin America and other countries and regions of architectural works,elaborated the traditional modernization has become a pursuit of architect.The third chapter analyzes the charm of traditional architecture,expounds the need to draw strength from tradition.At the same time,the analysis of the factors affecting the modernization of traditional architecture,so that the power to draw from the traditional strategy,there is a focus.The fourth chapter is the concept of the first two chapters,the China contemporary three construction of the three buildings are:Henan Museum,Qi Kang design Ieoh Ming Pei design of the Suzhou Museum and Wang Shu design in Xiangshan campus of the Central Academy of fine arts.This chapter begins with the two directions of case analysis and comparative analysis.The case analysis mainly deals with the inheritance relationship between case and traditional architecture,while the comparative analysis is the comparison of the three cases.Through the anatomy and comparison of the masterpieces in the fourth chapter,this chapter summarizes the 8 ways to draw strength from tradition.The fifth chapter is the further discussion of the traditional architectural modernization in the process of influencing factors to solve the problem,the author from three aspects of its analysis,discussion and summary.The three aspects are:the integration of old and new structures,the elimination of the volume of buildings and the traditional tendency of materials.The sixth chapter is about the three masterpieces of social evaluation of some thinking,so as to provide the basis for the seventh chapter of the principles and methods of summing up.The seventh chapter focuses on the fourth chapter,the fifth chapter and the sixth chapter,and further summarizes the three principles and eight methods to draw strength from tradition.The three principles are identifiable principle,objective feasibility principle and systematic principle.Eight methods are:treatment group intention,concept representation motif transformation regression courtyard space,form abstract-reshaping the external image,logic isomorphism structure of beauty,technology updates,retain mining material characteristics,symbol Transformation:find details of emotion,low tech strategy-survival skills,traditional digestion volume recovery comfort scale.The author expects that the research in this thesis can provide a qualitative and quantitative analysis.At the same time,I hope that the three principles and 8 methods that can be drawn from the tradition can provide useful reference and reference for the construction related practitioners. |
