The Research Of Creative Process Of The New Huizhou Architecture

The New Huizhou architecture as the innovation of traditional architecture,appeared in all parts of China like the bamboo shoots after a spring rain.This paper focuses on the creation of New Huizhou architecture,in order to provide some reference for the future development of New Huizhou architecture.The research of the New Huizhou architecture is mainly after the founding,the creative process of the New Huizhou architecture is dived into three phases based on the main creative means.They are “external imitation”,“form metaphor” and “inner pursuit”.The “external imitation” mainly through the retro means to reappear Huizhou traditional charm,it is in an embryonic stage of marginalization.The “form metaphor” popular in the 80s-90 s,mainly by means of metaphor and symbol to the creation of a “new” building,the new building is different from the previous antique retro style,it is reminiscent of Huizhou traditional image while maintaining a vision of “strangeness”.The “inner pursuit” is a stage of building regression Ontology,it has been widely concerned by scholars after 90 s,the creation of this stage has began to pay attention to the value and significance of the building by the respect of the environment,building on the site to really focus on the delicate feelings for the place for people.Through the study of these three stages,facing the flooding of new Huizhou architecture,the author thinks that “harmony in diversity” is a kind of new thinking attitude,excellent traditional culture for reference is desirable,but considering the regional differences in cultural integration is the mode of healthy building.