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Chinese Traditional Instrument Of Transport-Study On The Design Aesthetics Of Palanquin

Posted on:2018-11-09Degree:MasterType:Thesis
Country:ChinaCandidate:X Y DuFull Text:PDF
GTID:2322330515476636Subject:Industrial design and research
Abstract/Summary:PDF Full Text Request
The sedan chair is one of the objects that we are familiar with,and it is now out of the historical stage and is not used by modern people.The sedan chair in ancient times called the palanquin or Bunian,which began in the Xia and Shang Dynasties,developed in Tang and Song Dynasty,flourished in Ming and Qing Dynasties,the Republic of China to disappear.Over the past several thousand years in China,the sedan chair is used as a "special identity" vehicle.The reasons for its "special" are as follows: it is not a traditional means of transport,nor is it a definition of furniture or architecture.The sedan chair was originally designed to make up for the lack of carriage.With the development of the times,it is the role of the weakening of the role of transport,the gradual improvement in the function of etiquette,so that its ultimate service in the ceremony.The chair of the etiquette function is mainly reflected in the royal weddings and funerals,and folk activities such as worship,a common ritual of ancient artifacts is Chinese in.According to the status of different people,the sedan chair has a very strict classification,from the shape to the decorative structure are not the same.It can be said is China chair feudal system expressive "materialization",its body reaction is Chinese ancient feudal society a harsh,dying corruption pleasure atmosphere.Therefore,China's sedan chair is special,but also unique,its development history can not be separated from the feudal society of ancient China and different dynasties,different aesthetic style given the rich diversity of aesthetic culture.Sedan chair from the "shape-color-decoration" all aspects of the infiltration of the traditional Chinese aesthetics.The aesthetic culture of Chinese creation,including "armony between man and nature ","the five elements of each other","Harmony and beauty" and so on,these creative aesthetic plays a leading role in the form and decoration of the sedan chair.The chair of the design aesthetics is alsointegrated into the folk art and palace art,at the same time China traditional arts of the latter to the development of many other effects,such as some of the traditional architecture,national costume in cloud shoulder decoration,wooden tenon structure etc..The sedan chair has absorbed so many elements of traditional art,and fused to one,which embodies the inclusion and diversity of the decorative style of the sedan chair.Chinese traditional aesthetic culture has a long history,each dynasty shows different aesthetic styles,such as the Shang and Zhou Dynasties and artistic creation was influenced by the cultural background of the magic show is majestic and mysterious aesthetic style in Tang Dynasty;creation aesthetic style of the overall bias Hua Li,the Song Dynasty is the atmosphere;aesthetic style preference introverted,calm the Ming and Qing Dynasties;show is a kind of elaborate,luxurious aesthetic style.Each dynasty has its own unique aesthetic culture.In the process of development,the sedan chair was influenced by the aesthetics of different dynasties,and evolved into a comprehensive art carrier.The chair has a unique beauty,is a kind of implicit beauty is a kind of smart bracelet is a kind of beauty,calm and elegant beauty,and these aesthetic elements is the epitome of Oriental art.There is a direct imitation,a single imitation of western design and so on.Chinese traditional art context is broken,the overall lack of is a "disposition" of the oriental culture connotation and the harmony between man and nature harmonious aesthetic conception.Obviously,the root cause is the neglect of Chinese traditional aesthetic culture and spiritual connotation.How to arouse the public perception of Chinese traditional aesthetic culture and the exploration of the spiritual connotation is the most important issue.So,in the global economy,culture background,through in-depth study of Chinese traditional design aesthetics after the inheritance and innovation,the local design label by "Chinese manufacturing" to "create China",is the development of modern China local design stage goal.
Keywords/Search Tags:Chinese aesthetic culture, aesthetic design, instrument of transport, palanquin
PDF Full Text Request
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