Researching The Ming Style Furniture From Aesthetic Paradigm

The rise of new Chinese style furniture hot promotes the reexamination of the position of the Ming style furniture.As an example of China classical furniture,how to better inherit the essence of art and artistic spirit,as well as the reasonable improvement and innovation in order to adapt to the practical and aesthetic needs of contemporary life,become an important question for new Chinese style furniture to undertake the tradition and modernization.The aesthetic paradigm of Ming style furniture is systematization and concretization of the aesthetic concept contained in the Ming style furniture,and also it is a refining and summarization of the aesthetic experience.Its formation was guided and irrigated under the Ming Dynasty unique philosophy,religion,morality,politics,economy and ideology.In this paper,the aesthetic paradigm of Ming style furniture as the research object,induction and comparative research methods.Combining the ideological background of Ming style furniture and its aesthetic paradigm.Objectively and comprehensively evaluating the aesthetic value of art aesthetic of Ming style furniture.Interpreting the reason for Ming style furniture to be a classic of Chinese classical furniture model.Comparing the age difference and aesthetic drop of Ming style furniture and new Chinese furniture.Facing the problems in the process of modernization of traditional technology.Learning from the successful experience of the modernization of traditional Japanese art.Correcting the misunderstanding of traditional technology.Helping modern technology to understand and inherit the tradition as well as carrying forward Chinese characteristics...