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A Study On Fang Dongshu’ Six Dynasties Poetry Theory

Posted on:2017-04-09Degree:MasterType:Thesis
Country:ChinaCandidate:M L ZhongFull Text:PDF
GTID:2295330509959308Subject:Chinese Language and Literature
Abstract/Summary:PDF Full Text Request
As an important figure in the middle of Qing Dynasty poetry research community, Fang Dongshu reached by infection of family learning, inheriting Fang Bao, Yao Nai, Liu Dakui and Tongcheng School sages of poems and articles, and to be open and innovative.At the same time, under the academic background of the Qing Dynasty”Han Song Contest”, on the one hand, Fang Dongshu reached strongly criticized the Sinology ills, publicize the Neo Confucianism and make it constitute an important connotation of his poetics. On the other hand, he took Han and song and clear concept, pay attention to absorb Sinology textual exegesis methods of doing scholarly research, advocated poetry to reflect the reality, express true feelings.The party’s unique perspective to form his poetic theory, become the master of a Tongcheng school poetics.In the development of poetry Physique Theory, Fang Dongshu reached inheritance Tongcheng School of thought tradition, stand firm in the basic position of Confucianism, with classical composition of poetry proposed the requirements, such as the beginning of the poetry, the middle part and the epilogue, and presents more detailed requirements on the writing skills. In view of knowledge tendency of poetry in the Qing Dynasty in vain and rich atmosphere, Fang Dongshu reached is still in the Six Dynasties poetics proposed Licheng’s point of view.Fang Dongshu reached fully drawing on previous points of view in the aesthetic aspects of qi of poetry,poem, with the odd poems in the Six Dynasties Poetry aesthetic theory. Fang Dongshu reached inherited the Liu Dakui’s "qi", and expand the scope of "li", requirement of poems reveal the natural li,conservation poetry art vitality, in the poem reflected the spirit of bold and unconstrained and meaningful in the Six Dynasties Poetry "li". At the same time, Fang Dongshu reached requirements poems have magnificent fitness, and highly precise strokes, eventually to achieve the natural realm, this is the party’s theory of the Six Dynasties Poetry "li". As for the "qi", the party’s poetry style, such as emotional realm, the eruption of peculiar form.The interaction of qi, li, qi, the formation of accepting of the Six Dynasties Poetry aesthetic ideal.Fang Dongshu in the Six Dynasties Poetry physical characteristics, aesthetic characteristics, the Six Dynasties poet unique, set up own Six Dynasties Poetry view,also has a profound impact on the evaluation of other dynasties poets from the viewpoint of his poems of Six Dynasties. Fang Dongshu reached the Six Dynasties Poetry view system and the Six Dynasties Poetry Criticism is his entire poetic criticism in miniature, His Six Dynasties Poetry view represents the Tongcheng School poetics of the essence, his poetry is also in the history of poetics occupies important position.
Keywords/Search Tags:Fang dongshu, Tongcheng school, six Dynasties Poetry view, inheritance, innovation
PDF Full Text Request
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