A Study On Fang Dongshu’s Tang Poetry Theory

As an important scholar in middle of Qing Dynasty poetry research community,Fang Dongshu for its unique perspective of the poetics integrates some poets’ theories,so that he becomes the nucleus of Tongcheng School. He inherited Fang Bao, Yao Nai,and Liu Dakui, Tongcheng former scholars’ poetics text on the theory schema, Zhu Xiand Cheng Yi and Cheng Hao’s thought continued to Fang Dongshu, inevitable tooappeared in his Tang poetry theory. At the same time, after "Han Song Zhi Zheng"argument in Jiaqing age makes its awareness to Song theory and Han theoryrespective of pros and cons, such on promoting its abandoned neo-banal of side,absorption and era phase adapted of active connotation, he against only focused onhistorically accurate for poems, and to text for poems, but emphasizes poetry in text inthe reflect sincere natural of emotion, Verse should be reflected in politics to fill theseills. This compatible on Fang Dongshu reflected in the poems on the particularlyevident.From essay grammar into Poetics, is not Tongcheng School sent of first, but inFang Dongshu of rebuild, this across genre of poetics method glow out new of face, toFang Dongshu for representative of Tongcheng School to shoulder inheritedConfucian Orthodox responsibility for target, and sheet of rules layout way into Tangof evaluation in the, he thinks poetry to has baffled truncated of sense of, party canimplication poetic. Poetry has a tendency to learning in the Qing dynasty, resulting inpoems of the Qing dynasty a false kind of wind, Fang Dongshu with this in mind,advocates in their poems on the honest. Also, Fang Dongshu from learning andapplication characteristics of Tang allusions about whom in both views.From aesthetics to investigate Tang Fang Dongshu’s drawing on previous ideasput forward to poems’ wonder, poems’ force, and poems’ gas on three aspects ofpoetry aesthetic. Fang Dongshu than previous innovations that will abstract andindefinable poetic best implemented in concrete Prism, as three points, supported bythree points as showing the exquisite aesthetic features of Tang poetry. FangDongshu’s Tang dynasty force strength to focus on grand opening of Tang poetryalways immersed in the force of Tang poetry in both directions. Fang Dongshuadvocated broadside into a poet poetry on their feet, to Charter constraint from theend to stretch his thoughts. Interplay between these three, wonder, forces, gas is the aesthetic ideal.In the middle of Qing dynasty Gediao and Xingling have an argument, FangDongshu’s drawing on Shen Deqian style that, in inheritance and transformation of itspoetics full perfect, enrich and perfect in quelling the dispute will be his poetics. Atthe same time, the theory of integrating Tang and Song poetics of Tongcheng Schoolby Fang Dongshu further carry forward, he takes both poets and poetry scholars,merging together style and thinking, emphasizes the feminine and masculinecomplementary seriously, so that hundreds of years of Tang and Song poetrygradually ablation. In the Qing Dynasty academic trends are summarized under thebackground of the times, Fang Dongshu’s poetry theory praises Tang withoutrestraining song poetics reflects the integration thoughts, generic thought hasimportant significances.