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Xinjiang Bozhou Mongolian SaWuEr Folk Dance Investigation And Research

Posted on:2017-02-07Degree:MasterType:Thesis
Country:ChinaCandidate:T XiangFull Text:PDF
GTID:2295330509451894Subject:School of music and dance
Abstract/Summary:PDF Full Text Request
Located in the northwest Xinjiang Uygur Autonomous Region, Boertala Mongol Autonomous Prefecture is located in the hinterland of the Eurasian continent, "Porta" is Mongolian, meaning "silver and blue prairie." Over a hundred years ago in the Qing Dynasty poet once praised Liangji bortala as "Spirit of the West different soil environment, the world outside." Boertala has a long history and culture, can be traced back to two thousand years ago the Spring and Autumn Warring States Period. In the Tang Dynasty, the Silk Road is Boertala must pass through arteries, it is located in the two main Road, Prairie Road and Silk Road North Road junction, north of the Tianshan Mountains in Central Asia leading to town, gave birth to a unique colorful history and culture. Prior to the Yuan Dynasty,there Boertala nomadic Mongol tribes. Later, it has become Yuezhi, Hun, Wusun,Rouran, yueban residence and Karahan possessions. 1219, Genghis Khan Mongolian expedition when the rate of the Mongolian army first appeared in Boertala. When in1643, the leader of the Junggar Mongolia Batoul muddy Daikichi conquest carat mark and Alatau Pass two Kazakh tribes, the second collective move into Mongolian Bole. Today’s blog is the Mongolian state composed of two parts. Part of the former residence earlier this Zhangjiakou area. Another part of the year 1771 is the West to return home from the Volga River Basin Tuerhute a flag portion. In the socio-cultural system of continuous integration, adaptation process, Bozhou Mongolian folk dance "Wu Sa Golden" preserving the common cultural heritage of the nation, but also changed over time forming their own unique dance style.In this paper, based on field work, try using the history, folklore, art,anthropology, comparative research methods relevant theories, aesthetics and Dance,will Taub show Seoul as my Golden Sa dance is an important part to study, literature analysis, morphological description, cultural interpretation, and other methods, and strive to some detail of my Golden Sa dance morphology, meaning dance, dance and elaborate arguments to functions, and the use of the obtained results of field research for my Golden Sa dance heritage aspect, and performs various other prefectures dance forms discussion and analysis, and sorting out the dance moves image data,rich dance teaching materials.The paper is presented as a "preface", "Topic(total of four chapters)," "conclusion.""Introduction" section of this article to clarify that the purpose and significance of topics, research data and explain the results of this paper are based on research,and illustrates the basic research method by the use of; the first chapter of cultural ecology Bozhou Mongolian folk dance performed research; the second chapter of the Origin and Inheritance Situation Bozhou Sa Golden dance I study; the third chapter of my Golden Bozhou Sa morphology and characteristics as the main content of "Sa I Walden" dance moves, music, props, costumes, will be described and discussed in detail its meaning and function, according to Chapter IV field test Cha Bo states,Bavaria two regional folk dance "Golden Sa I" shape to do a comparative study, and extract movement vocabulary and morphology, Rhythmic characteristics are compared with the same explore the similarities and differences between them, and find out why. The status of contemporary "Wu Sa Walden" dance, as well as around the state status of heritage are described and discussed. "Conclusion" section of this article will be on view in the proposed refining, and the "Golden Sa I" dance how to continue to carry forward good tradition made little personal recommendations.
Keywords/Search Tags:BoZhou, SaWuEr, Case study, Form, Investigation and research
PDF Full Text Request
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