"Vivid Portrayal"-Chinese Contemporary Oil Painting Portrait Images Express Inquiry

Throughout the history of the development of Chinese oil painting, oil painting as an alien came to China, "Oil Painting" Exploration has been accompanied by the development of Chinese oil painting. Discussion and practice on this issue has been constantly engaged in a variety of ways.Painter Xu Beihong, Lin, Wu Guanzhong, who tried to find the path painting and Chinese culture through communication theme, form, color and other angles. Oil Painting is neither a specific pattern,nor is it free to add elements but the spiritual content of the works nationalization. Chinese traditional aesthetics in a certain sense is the image of aesthetic concepts, image is an important feature of its aesthetic expression system, the performance of this manifestation and oil nationalization have combined to explore the China Oil Painting concerned should be try a valuable way. This article intends to "vivid portrayal," the Chinese traditional aesthetic ideas into images on canvas Portrait of expression, with its distinctive meaning to the works of national aesthetic spirit.The main point is that the expression of imagery is an effective way to China Oil Painting performance, and this performance of traditional Chinese aesthetics "vivid portrayal of" oil portrait by this study is discussed starting point."Vivid Portrayal" This important painting thought by the Eastern Jin Dynasty artist Gu presented artistic ideas, the idea of ? ? the time and even today’s paintings have a profound impact,these effects are not reflected in the Chinese traditional art of painting, but also in Chinese painting nationalization process also had an important role. This essay analyzes and discusses "vivid portrayal of" internal relations and imagery expression, and to investigate the relationship between China and the oil nationalization. From the current perspective of the development, "Oil Painting" is the Chinese oil around, but the proposition, this paper attempts to portrait painting as a starting point, try to explore a development path to a nationalization of oil, in order for others to deep research and exploration provide some valuable theoretical reference.Thesis is divided into five parts:Part I: Image is the expression of traditional Chinese aesthetics category cores. By the Chinese traditional aesthetic categories in the core concept of "image" cut, put forward the concept of China-related imagery expression.The second part: presenting contemporary Chinese oil painting portrait Image Expression.Although the art of oil painting originated in the West, but after entering the Chinese traditional culture with Chinese marriage took place, so that the expression of painting images produced in this way has the possibility. This paper presents the expression of contemporary Chinese imagery explored in painting portraits in the image of the expression of specific exhibits summarized the four major areas, and by combing specific artists, elaborate analysis. In imagery expression painting portraits of the language and spirit of the connotation presented, the heritage of Chinese culture,national aesthetic psychology, is to show Chinese culture tolerant of, is to show the Chinese people’s unique culture, the pursuit of national culture as the basis spiritual care. Thus the contemporary Chinese oil painting portrait Images expression analysis in this section is the focus of the study.Part III: "Vivid Portrayal" and Imagery performance closely. This chapter of the "vivid portrayal" of Contemporary portrait painting of images, expresses the relationship analysis, the "vivid portrayal of" the spirit of the Agreement and the expression of Chinese painting portraits images, forms of integration is reflected in the image of painting portraits of the essence.Development Portrait Art is as individual as people who value and improve cognition and development. Although times are changing, the pursuit of artistic innovation and style is changing,but God-shaped relationship between painting portraits always been the core of portraiture. "Vivid Portrayal" by the Eastern Jin Dynasty painter Gu Kai raised painting to convey the essence of the "form" and "God" that is, the relationship between body and spirit, which is the essence of Chinese traditional painting theory. In portrait painting art, no matter what means of expression, we should seize the object "God" feature, which is the core of Chinese traditional aesthetic expression embodied in the image of the portrait in. From the "Vivid Portrayal" connotation and extension changes, and Chinese contemporary imagery expression combing and compare the development of analysis reveals that the "Vivid Portrayal" is the essence of painting portraits Images performance.Therefore, inheritance "vivid portrayal of" the concept of development expression painting portraits in the moment Image requiring historical relationship between the two, is the spiritual relationship between the performance requirements, but also the requirements of both forms.Part IV: "Vivid Portrayal" analysis of the value of Chinese contemporary oil painting Portrait Images expression. Inquiry "vivid portrayal" in Chinese contemporary oil painting Portrait of expression embodied in the image of the artist’s subject value, as well as contemporary Chinese painting nationalization of value, which is the value of this study foothold. Chinese contemporary oilpainting Portrait Images expression boundaries very broad, but its core is in the works very distinctive highlight how cultural perceptions of the Chinese people, human feelings and spiritual character, with Chinese cultural characteristics painting style. "Vivid Portrayal" portraits Images expression carries the artist’s self-consciousness, is conscious spiritual culture of democracy, but also the Chinese oil painting Portrait of a possible nationalization of development path.Last conclusion: comb full text of this paper summed up the views in the Chinese traditional aesthetic system integration "Vivid Portrayal" and the Image of artistic expression is an expression of painting portraits of nationalization, in the context of globalization, along with China the growing economic strength, artists find the right to speak with Chinese characteristics in the artistic context,is to build a national culture of visual experience and effective way to remember words to express Chinese culture bearer.