| Symphonic suite “The Picture of Yangtze River†was completed in 1963 by Professor Zhong Xinming.As one of his early outstanding work, it’s also at the first stage of Chinese composer to creating the symphonic suite genre form, in the creation condition extremely limited circumstances, Zhong actively absorb that he can come into contact with creative techniques, to explore and put into practice. The author based on symphonic suite “the picture of Yangtze River†as the research object, focus on the analysis of the texture structure and sound combination. Attempt to explore and describe the specific instrument techniques when Professor Zhong Xinming uses the symphonic suite genre form to express Chinese scene as writing content.This thesis consists of introduction, text and summary. The introduction part mainly elaborated the purpose and significance, research status and research methods. The text is divided into three chapters: the first chapter is “The composer and his work of< The Picture of Yangtze River>â€,firstly it is a brief introduction to composer and his creation trajectory, also through describe the creative conditions and main content expression, definite the musical structure, to reveal the composer based on the expression of content, and take correspondingly structure; The second chapter is to research the work of the instrument combination and statement technique, through exploration the cast of the instrument and the instrument texture arrangements and the representative paragraph’s layout of symphonic suite “The Picture of Yangtze Riverâ€, summed up the work of major instrument statement technique; The third chapter is “the timbre organization and development of the workâ€, based on the research point of timbre structure feature presented in the work,summed up the music melody level in statements and development process combined with content expression use different timbre forms at different statement stages, analysis of the transverse conversion using organization the way of balance or contrast,and to describe the timbre element of distinctive Chinese percussion and color instrument in this work. |