Research On The Application Of Graphics In Folk Art In Oil Painting Creation

Oil painting west eastward has lasted for more than a century, pursuit the localization context has become the consensus of the artist. With the diversified development of Chinese painting language, the oil painting creation gradually get rid of the past a single, rigid, rigid mode of painting language, is no longer blindly copy western painting form, but pay more attention to spiritual needs, spiritual bailment and human feelings, to better reflect their own pursuit of art. The author in the study of folk art graphics used in the oil painting creation, for folk art color aspect of generation, the key based on the graphics of folk art studies. Graphics on the one hand, through the analysis of carding of folk art and oil painting creation fusion of various modern techniques, graphics and analysis of folk art of aesthetic value in the oil painting creation; On the other hand, the theory to guide practice, practice is the litmus test of a theory. So the author will spirit connotation of folk art graphics and its unique artistic form into personal oil painting creation, to test theory correctly or not, also reflects the author’s own aesthetic orientation, further more oil painting innovation and development to provide a new opportunity.The author thinks that, the Chinese traditional art, especially a profound folk art graphics and heart- roots ethnic folk, it will give China oil painting in the future to provide a steady stream of creators and has the national soul canvas material. In this paper to study the graphics of folk art as the breakthrough point of the oil painting creation, from the reference element symbols, graphic form two aspects to study of folk art and oil painting creation, graphics and further research of folk art in the oil painting creation of aesthetic; Secondly, by analyzing the predecessors to apply folk art graphics to the successful cases in oil painting creation, and they will be in folk art graphics applied to the oil painting creation practice, hence in the era of oil painting creation of connotation and aesthetic, and realize its own aesthetic value orientation; Finally, the author sublimation and summary of full text, it is concluded that the innovation and the development of Chinese oil painting, unavoidable should with local elements, combined with the national spirit.