Wang Zengqi’s Novels In The 1990s

In the 1980s, Wang Zengqi returned literature. His fresh and harmonious novels played a stimulant to contemporary literature which was full of "reflection" and "scar".His novels gave readers a different reading experience. Therefore,people’s impression of Wang Zengqi inevitably stereotypical. At the mention of Wang Zengqi’s novels in the new period, nothing more than tranquil and warm.Wang Zengqi liked a singing lark, bringing people beauty and hope. On the one hand, it’s enough to see the influence of Wang Zengqi’s novels in the 1980s. On the other hand, leading his novels in the 1990s in the blind zone of the search. His novels in the 1990s have something in common with the novels in the 1980s naturally, but also have some changes. Only by linking the novels written in two decades,can we restore a complete Wang Zengqi. Therefore, this thesis takes Wang Zengqi’s novels written in the 1990s as the study object and the novels written in the 1980s as the reference, exploring the changes of the novels in the 1990s from content and artistic style these two aspects and explaining the reasons of his desire to change in the 1990s. This thesis expounds the value and significance of these changes through discussing these problems.This paper is composed of introduction, four chapters and a conclusion. Firstly, the paper discusses the changes of the contents of Wang Zengqi’s novels in the 1990s. From sex--from "naive" to "immoral", politics--from "beautiful unreality" to "tragic reality" and customs--from "simplicity" to "devil" these three distinct theme content changes feeling Wang Zengqi’s inner mood changes. Secondly,studying the transformation of the artistic style of Wang Zengqi’s novels in the 1990s. Specifically manifest in:First, the individual speaker voice and the text mainstream voice--from "anastomotic" to "discordant"; Second, children’s angle of view--from "the development of men "to" the end of man "; Third, the art of ending--from" dilute sadness "to" strengthen tragedy ". For Wang Zengqi who was seeking novelty and difference, changing was inevitable and it was only a matter of time. He was content with his lot to be the people on the edge of literary.He returned to his original nature in the washing of time when he was old. These were the reasons that he reformed. The value and significance of the changes of the novels in the 1990s on the one hand in poetic and absurd--comprehensive cognition of the word. Unlike poetic in the 1980s,the creation in the 1990s focused on revealing the absurd of the word.From poetic to absurd,it is extension to his creation. Wang Zengqi formed his comprehensive cognition of the word. On the other hand, repression and awakening--the call of the tragic spirit. Wang Zengqi no longer evade and self-deceive, he opened the veil of Utopia, showing the subjectivity and authenticity of creating novels. Wang Zengqi had the courage to expose the pain of human nature and undertake the pain. He is peculiar in the Chinese literary world which is lack of tragic spirit. Wang Zengqi awakened the whole literary world with his own unique way.