| As a modern and contemporary writer,Wang Zengqi’s literary creation in the 1940 s and 1980 s not only has a very high similarity in material,but also has a very consistent thinking and practice in the concept of novels and stylistic experiments.Therefore,when he returned to the literary world in 1980 with "Shou Jie",he showed a literary style that was different from the "scar literature" and the writers of the same period,which brought a breeze to the literary world.However,even with many praises,the distance between Wang Zengqi and mainstream literary concepts determines that he can only be on the edge of the times.This article is centered on Wang Zengqi’s three masterpieces "Shou Jie","Yi Bing"and "Da Nao Jishi",and is based on the literary activities of Wang Zengqi in the1980 s and the classics of the 1940 s and 1970 s.Under the trend,discuss the formation of Wang Zengqi’s subject style.This article will conduct in-depth research from three perspectives: "Interaction between Wang Zengqi and the Literary Circles in the1980s","Three Kinds of Literary Resources of Wang Zengqi",and "Formation of Wang Zengqi’s Main Style",from "Shou Jie","Da Nao Jishi" and "Yi Bing" The comments received sorted out their interaction with the times,and combed Wang Zengqi’s three literary resources in the form of textual reading,namely,"Lyric Perspective of Local Literature","Narrative Reference of Folk Stories",and "The Style of Prose Novels "Experiment" to present Wang Zengqi’s writing strategy,literary concept and aesthetic interest.Finally,I sort out the image of Wang Zengqi,a literary innovator who seeks new ideas and changes. |
