| Jing Dian Yuan Lie Fu mainly refered to the description of the object of the capital of a country, palaces, enclosed ground for raising animals, hunting. Because of its political characteristics, Jing Dian Yuan Lie Fu were regarded as typical of the Han Da Fu, could reflect the characteristics of the Han Dynasty. From the Western Han Dynasty to the Eastern Han Dynasty, influenced by the background of the times, Jing Dian Yuan Lie Fu were constantly changing and developing, the poets’ mentality had also produced a subtle change. The thesis take the poets’ mentality as a cut-off point to research Jing Dian Yuan Lie Fu, mainly generalized the development of Jing Dian Yuan Lie Fu, compared and summarized the differences about Jing Dian Yuan Lie Fu, focused on the analysis of poets’ mentality.The first chapter mainly discussed the background of Jing Dian Yuan Lie Fu. The social development, the system, the development of the Confucian classics, the identity of the author and other factors mainly influenced the development of Jing Dian Yuan Lie Fu. The social development and the development of the Confucian classics strongly influence the development of Jing Dian Yuan Lie Fu. The development path of Jing Dian Yuan Lie Fu were coincidence with the development of social and economic When the social development and the development of Confucian classics in its heyday, the creation of Jing Dian Yuan Lie Fu would reach a peak, otherwise it would decline. Respecting the capital, the dispute of Capital transfer, advocating the etiquette, the change of the inner court system, these system reform and improvement promoted the prosperity of Jing Dian Yuan Lie Fu. The identity of the poets changed the creation model of the Jing Dian Yuan Lie Fu. In the Eastern Han Dynasty, the intellectuals and professional bureaucrats begun to finalize the design, making Jing Dian Yuan Lie Fu of Eastern Han Dynasty and the Western Han Dynasty were very different.The second chapter mainly discussed the development of the Western Han Jing Dian Yuan Lie Fu and the mentality of the poets. Qi Fa reflected the free mind of Mei Cheng. The theme showed that he had formed the unified consciousness. In Zi Xu Fu and Shang Lin Fu, Sima Xiangru changed the structure of Qi Fa, increasing the intensity of satire layer by layer, leaving the particularly brilliant in the ending. This was related to the awkward situation of Sima Xiangru as a court writer, reflecting Sima Xiangru’s contradictory attitude. Yang Xiong regarded the praise as irony, that showed his worldly-wise and play safe Philosophy.The third chapter mainly discusses mainly discussed the development of the Western Han Jing Dian Yuan Lie Fu and the mentality of the poets. Ban Gu’s Liang Du Fu combined the praise and irony, that opened up a new path for the development of the Jing Dian Yuan Lie Fu. He promoted the mind of Han Dynasty and had a strong sense of responsibility of embellishment. Zhang Heng’s Er Jing Fu and Ma Rong’s Guang Cheng Song changed the false praise in early Eastern Han Dynasty, with Utopia to express their dissatisfaction to the reality,the ideal of yearning, performance more calm and helpless. In Lu Ling Guang Dian Temple Fu, Wang Yanshou was completely in the perspective of visitors to describe Lu Ling Guang temple, in order to outstand his personal feeling, highlight the individual consciousness.The fourth chapter mainly contrasted the differences between Jing Dian Yuan Lie Fu to explore the development characteristics of Jing Dian Yuan Lie Fu. In language, gradually by more and more scattered, added the composition of arguments. In aesthetic style, from strange to gentle and cultivated, from more exaggerated to pursuit of authenticity and practicality, from martial luxury to courtesy of thrift. In content, from the macro description of the Han Dynasty to the Eastern Han Dynasty, in order to describe the details, increased the content of folk and international exchange, the content is more abundant, the scope of the subject matter is broader. |
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