New Claborate-Style Linear Weakening

The emergence of new meticulous,The emergence of new-style meticulous brush painting is not by accident and in recent years has been gradually accepted, but the transformation of the Chinese painting itself is inevitable. As is well known, the 20 th century is the age of traditional Chinese painting was forced to transform. In the trend of the western wind blowing eastward,realistic modeling aesthetic transformation of Chinese painting language at that time become the target of modernity transformation of Chinese painting. Such a change,however,did not bring surprise to Chinese painting,on the contrary, for lack of the super secular poetry became questioned. After the "Cultural Revolution",the new academic painters began to reflect on this phenomenon and tried to trace back to tradition,the formation of the so-called "new literati painting". But on one hand,the complete extinction of the environment for traditional literati caused such efforts difficult to deep, and more to the relaxed and humorous class Modern Lyrical simple reconstruction of classical forms; on the other hand,promoter hasn’t launched rigorous theories,just simply gathered youth painter together,just created a noun to apply the phenomenon of all types of works and eventually lead to mess and disorder. Such judgments wasn’t for negating the role of Chinese painting in that special stage,but in order to clear the inner theory of Chinese painting,also to understand in which kind of clues that transformation happened. Relative to the former,facing the Chinese and Western the painter of new painting is more relaxed and free,neither bear responsibility of proving self-value,nor under the strong influence to simply follow that trend,but starting from their own experiences,choose the associated visual resources to reconstruct.When this batch of new painters was creating,they discovered the former experience of painting can’t meet their demands for painting any more. They must explore,discovery,looking for their own expressions and experiences for painting. In most of their works,we can easily find that lines have been weakened or even eliminated in the picture.Only in this way can they achieve their pursuing for painting,meeting their feelings of expression.