Research On The Form Of The Beauty Paintings Of Tang Dynasty

Beauty Paintings, become a painting in the tang dynasty. Beauty Paintings of Tang Dynasty in the tang dynasty is especially important painting. The painter in the tang dynasty, Zhang xuan and Zhou fang is one of the representatives. Zhang xuan made the Painting of Lady name’d Guoguo on a Spring Outing". "Dao Lian figure and Zhou fang’s " Round silk fan ", " Hairpin with Beauty Woman " is the quintessence of traditional Chinese painting in the tang dynasty and even the entire traditional Chinese realistic painting art history. This Zhang xuan and Zhou fang’s representative works, for example, a detailed analytical form of the traditional Chinese painting in the tang dynasty, including the subject content, using of color ink and costume makeup, and so on. The ancient Chinese painters are accordance with the "way" heavy "skill". Both painting spirit connotation, and attaches great importance to the techniques and means, admit techniques using the decisive role in the creation. The traditional Chinese painting had unique style is elegant, richly showily the color features of the radiance of the aromatic, form a complete set of conception, layout, cancel, shading techniques such as system, with strong continuity and procedural. Very pay attention to fill in "rhythm" and "colour". With "hairpin with beauty woman" as an example, analyses its unity and richness of colors. From the evolution of the maid image in painting of all visible aesthetic idea timely, is constant development and change. However, in the tang dynasty not only affected the later generations of China’s traditional Chinese painting, and across the sea to the east, came to Japan. In common sense, however, has a profound traditional, so, we should do to different stages of the traditional Chinese painting a reflection at the same time, critically isolated traditional the essence of traditional Chinese painting to inherit and develop. In this sense, the traditional recognition is very necessary. In the modem age, the choice of both the experience, with the idea of contemporary penetration in the contemporary self expression language, combining with the spirit of The Times truly show the person’s state of mind, will generate new language art, new material technique. It certainly is for both the experience of development and innovation. Relative to the future, the contemporary art will become a tradition, this is the process of inheritance and transformation, and the process of value, is the meaning of Chinese traditional painting elements.