Contemporary Figure Painting Of Impressionistic Realism Influence

Chinese painting is one of the essence of Chinese culture. Chinese Figure Painting is the painting inside important branch. Contemporary Figure Painting is the traditional freehand figure painting and Western painting realistic product of the combination. Since ancient times, Chinese painting has a very strong national characteristics, but also such features, so that thousands of years of Chinese painting is unique. To Chinese painting is necessary to reform and innovation, but also to retain the essence, we need to explore the most appropriate method. Chinese figure painting experienced a slump for a long period of time, only innovation can save ink portrait position. This paper describes the development process of contemporary ink figure paintings, impressionistic portrait of how from the traditional step by step transformed into today’s ink figure painting. This paper analyzes the traditional impressionistic portrait of the advantages and disadvantages of going to prompt its dregs essence in the innovation process. By analyzing the status quo of traditional portraits, impressionistic portrait shows that China needs Western realistic painting, freehand figure painting as their own needs, needs the humanities, the needs of the times. Combed a number of columns changes from the traditional figure painting portraits change in body produced. And Jiang Zhaohe, Liu West, Feng Yuan and other ink figure painter, for example, to explore the theme of change in the New ink figure. In "Step Revealed map", "Fisherman Yufu map" art history, for example, analysis of the traditional ink figure painting style. Zhou Sicong painter’s works, for example, through analysis and modeling features of the reform ink figure. Really appreciate the Contemporary Figure Painting still have to find in practice. Creation is the most effective means to improve the painting. The fifth chapter describes the creation of their own experiences and the creative process, through practice, realistic analysis of the application in the creative process. Painting from the perspective of cultural heritage in China illustrates the importance of freehand figure painting creation. I learned to explore contemporary ink figure in the creation of realistic and impressionistic. Chinese painting freehand profound culture, and this is not available at any time abandoned. Ideal is any need to adhere to, on the reform of ink figure this road too. Only in the study of continuous exploration and innovation, learn the characteristics of realistic painting, making it the perfect fusion of impressionistic portraits were to go to China. China has been the arrival of new things all inclusive mergers, the integration of realism is no exception. Only Realism and Impressionism harmonious coexistence and mutual snuggle in order to develop a common Chinese Figure Painting output, in order to make contemporary Chinese ink figure painting became characteristic different from Western painting.