Study On The Life Of The Liao Tomb Murals

The vast, the northern grasslands once lived the huns, xianbei, qidan, Mongolian nomads, such as on the prairie they embody the unique cultural art history. Qidan nationality, in a century in LaoHaHe basin and Silas wood river basin in northern minority regime is established, liao, lasted more than two hundred years, qidan with an open attitude to accept and absorb the central plains and other national advanced culture, and also stick to their own national culture and maintain their own national tradition, make the central plains civilization and grassland culture organic union, form the liao dynasty unique cultural landscape. In recent decades, with the discovery of a large number of LiaoMu mural, a pair of big underground picture unfolds in front of the world. LiaoMu mural painting rich in content, lifelike figures, animals or depict subtle, or combining realism with decorative landscape flowers and birds, depicts scenes from the life, to graphic expression showed the social condition of liao dynasty from different angles.The author with LiaoMu mural life into a breakthrough point, through field research and draw lessons from the research achievements of predecessors, using image comparison research method, the analysis of the life of LiaoMu mural, form the life characteristics of motivation, subject of contemporary grasslands painting and the author’s creative practice. Through the study of this article, the author from the content of the mural LiaoMu in-depth research, to analyze the data of the typical murals, detailed discusses the characteristic of life, the author thinks that life is the source of art is the art of living is the most can move the heart. On the basis of existing research, this paper attempts to broaden the breadth of the subject study, for LiaoMu fresco is an important historical and cultural heritage of the inheritance and protection as a poor power.