The Research About The Rejection Of Western Music In Tongdian ·Yuedian

This article to Tongdian-Yuedian rejection of western music thought of music as a central issue, using multi discipline comprehensive research methods, multi angle, all-round display under the specific historical conditions after Tang rebellion Du Yourejection of western music thought, and the produced reasons and contradictions were analyzed. Hoping to enable readers to further understand the positive impact of Chinese and foreign music exchange on the development of China’s music, and then to rethink the history of music and music history and other issues related to the enlightenment significance.This paper consists of six parts, namely the introduction, the conclusion and the four chapters. The first part is the introduction, on the Yue Dian rejection of western music thought of the origin of the research, research status and research methods were summarized. The second part Duyou Tongdian and Yuedian, briefly introduced Duyou Tongdian and Yuedian, the compilation and value, so that readers understand the many factors influencing Du You music thoughts generated. The third part and the fourth part is the key part of this paper. The third part of the Yuedian rejection of western music thought, from the Yuedian-preface, the dictionary of the music style and historical materials of the text three aspects of Yuedian rejection of western music the embodiment of the thought of music were analyzed. The fourth part of the Yuedian row rejection of western music thought reason analysis, analyze, from the historical reasons and social reasons, Yuedian Compilation purport of three aspects, Yuedian rejection of western music ideological reasons, in order to the next conflict analysis to pave the way. The fifth part is the Yuedian rejection of western music caused the thought on several contradictions are analyzed in the third part, from the perspective of rejection of western music thought and Duyou relatively open national contradiction analysis to and analysis of the contradiction between rejection of western music thought and Han nationality of music history, then extended to music history and music history contradiction analysis. The sixth part is the conclusion of this paper, it is pointed out that Yuedian rejection of western music thought of later music history compilation effect and make a brief summary to the full text.