| " Music " in Japanese comes from China. China and Japan's culture including music has homology. Through Send Tang make system, Japan takes the advanced culture in the Tang Dynasty back to Japan, and develops the fields in medical science , music , painting , building, etc. The Japanese have established a transformed culture from a inter-dynamic panorama vision and a holographic original ecological culture atmosphere. Sound long, knowledge monk, foreign student, non-governmental personage are the basic channels for Sino-Japanese music exchange in the Tang Dynasty.The history of the Japanese music is in introduction of foreign music → the foreign music localization→ prosperity of Japan's national music →foreign music introduction course which is recycled again and again. In other words. The history of the Japanese music is a history of replacement and alternation of international music era and national music era. This thesis is based on a large amount of documents and materials to comb and explain Japan's music thoughts, music system and try to sum up how Japan localizes the foreign music in the Tang Dynasty.Through the Chinese palace performance, with "Yan music" for being central all over China, folk music of various nationalities forms the Japan's refined "Yayue" . This thesis thinks on the difference of "Yayue" form and foundation of music construction of the localization of Japan and of China through integrated survey to include Sino-Japanese music cultural exchanges had characteristics in the Tang Dynasty. , such as homology nature, official side, entity, regional, disequilibrium ,etc.It was a more pure intercultural communication that the Sino-Japanese music was exchanged in the Tang Dynasty. No matter on its form or the consequence, it has reached the new level of the national culture. Sino-Japanese music in the Tang Dynasty has established double original blueprint of internationalization and localization for national cultural exchanges. In a sense, history in which the Sino-Japanese music in the Tang Dynasty was exchanged is the dialectical journey that the internationalized course of the Chinese music and Japanese music localization course interweaved each other. It is onlythe national, then it is the world. The culture of the music in the Tang Dynasty reached the linking degree mightily of nationalization with internationalized mind, and Japanese music culture makes the internationalized basic point with the construction of the localization , nationalization. Though Japan Send Tang make's destination is China , since at that time China is the intemational music collection place of art, from the this meaning, Send Tang make also absorbed China's introduction visual angle in music culture in the foreign lands , such as India ,etc. In fact, Japan's understanding and circulation of the Chinese music andChinese culture correctly is a part of Chinese music as well.With open posture, this thesis stays on the Tang Dynasty Sino-Japanese music lengthand breadth of land space-time where cultural exchanges develop, facing the intricate cultural potential of geographical reason in China and Japan of the middle ancient times , social historical pattern and culture growth environment straightJy. The author tries to comb Sino-Japanese music disciplinary proposition of exchange history from generally acknowledged historical data and academic view to find historical reason and inherent discipline that China and Japan's ancient music is exchanged. Taking historical detail and important proposition of Sino-Japanese music historical and bilateral music exchange into consideration with independent visual angle, The author prospects the existence circumstances, the procedure of development and international space of Chinese music and music culture after it spreads into Japan to probe boldly the aggressive inherent motives and country origin characteristics of the Sino-Japanese music and exchange, and try hard to offer more plural messages and visual angle for historical works of Sino-Japanese music.
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