Color Of Chinese Landscape Painting

As an important part of the Chinese culture, the visual representation and modeling art language, the Chinese landscape painting color language constitutes a unique system with a long history and extensive and profound. As a token of Chinese cultural philosophy, the color order view has led to the suppression of color itself. Ink is an important factor affecting the Chinese landscape painting color concept development, that brilliant of Jin and Tang Dynasties design traditional eventually returned to the distant deep in the history of. In the contemporary context of globalization, the landscape painting workers are seeking the breakthrough of painting language, so the systematic study of Chinese painting color language, to explore the classical color tradition, absorb foreign experience, from the specific techniques, materials and tools to make a breakthrough, and then can build a contemporary Chinese landscape painting color language.This paper, from the perspective of the color of the Chinese traditional philosophy, the color of the sentiment, analysis of the development of Chinese painting color. Secondly, it can be seen that the color of Chinese landscape painting is the product of the specific color theory. Then from the point of view of the history of Chinese landscape painting of Chinese traditional landscape painting color performance carried out and in order to find out the forgotten language of color. Finally, combining with the practice of graduation creation, the analysis of the possibility of Chinese landscape painting in the contemporary color language.Through the study of the traditional Chinese landscape painting color language, the Chinese and foreign color aesthetic literature, visit a variety of art exhibitions, try new materials, new techniques to absorb the idea, I completed the "spring", "summer", "autumn", "winter" four screen of the graduate students. Some new techniques and new color language try to apply to the work, to achieve a certain effect.The color language system of Chinese landscape painting contains the tool material system, the technique style system and the aesthetic cognition system, and the three each has this, and the mutual motivation. If we analyze the static model, it is often easy to split it into three separate aspects, and it is difficult for the Chinese landscape painting color language system to produce a whole and dialectical understanding. How will the traditional absorption blend, based on freehand brushwork and nationality around the world, we need to ponder. Only coordinated and integrated in order to provide the Chinese landscape painting color language comprehensive innovation.