| Landscape painting color as a unique aesthetic form, for thousands of years. Throughouthistory development, the early Chinese landscape painting is the appearance of colorrendering,"color" and "ink" belongs to the form of Chinese landscape painting colorperformance, and the ink is in a relatively special cultural and historical background wasdeveloped acme of a kind of literati painting forms. Originated from different Chinesephilosophy "of" the five elements and five colours "with the class FuCai" and "ink for up to acertain extent, such as" has a certain aesthetic standards and aesthetic standards ofperformance. Then in the tang and song dynasties tend to be more ink color performance andthe era of transformation, to the Ming and qing dynasties, ink began to change for the literatipainting lyrical fluent expression, and then under the influx of western culture in moderntimes, has brought the profound influence to the development of landscape painting andexcitement. Xingzhong thus landscape paintings began to borrow the shift, in a routineabsorbed western painting color view, in order to make up the pen and ink and color on thepainting performance of imbalances. So understanding of landscape painting color expressiveforce fails, brings us a profound revelation, through to the color of development andexploration, to exploration and development of Chinese painting. This article from threeaspects:The first part mainly discusses the different colour spirit of philosophy and its relevantaesthetic theory in this paper. And from the view of traditional painting color, the concept of"the five elements five colours","the Confucian view of colour""the Taoist view of colour"painting concept analysis to study the inner qualities of traditional landscape painting colorperformance.The second part mainly describes the evolution of the Chinese traditional landscapepainting color process, through the horizontal comparison of paintings through the agesdescribes "FuCai with class" and "ink" and "literati painting" the color of the form, therelationship between the clear color is not absolute opposition, but exist in the development ofthe landscape painting color, only in different historical period’s position is different, it showsthat the color in the process of development has a certain time.The third part mainly from the western modern color view of Chinese landscape painting as the breakthrough point, the influence of the horizontal comparison of the Chinese and westernof different cognitive for color and performance, this paper discusses the impact on the influxof western culture and the painter to paint in the change, and reveal the development of themodern concept of Chinese landscape painting color, which led to the Chinese landscapepainting from the traditional to the modern transformation.Therefore, modernity is an important symbol of art development, so to speak, in a certainhistorical and cultural background of the existing painting idea cannot satisfy the secularculture spirit pursuit, must choose to adapt to the new situation. In the present establishmentof colour aesthetic value orientation, the color, the color and give full play to the color of thevisual ability, based on the Chinese landscape painting and color performance, on the basis ofabsorbing plural culture, color performance system in line with The Times to build meaning,will add new vitality to the development of modern Chinese landscape painting color. |
